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Neuroscience-Based Lie Detection: The Urgent Need for Regulation

Neuroscience-Based Lie Detection: The Urgent Need for Regulation <jats:p>“Illustration” or “map” are among the most frequently used words for translating the Chinese character <jats:italic>tu</jats:italic>, a graphic representation of any phenomenon that can be pictured in life and society, whether in traditional China or elsewhere. Investigations of the early role of <jats:italic>tu</jats:italic> in Chinese culture first set out to answer questions about who produced <jats:italic>tu</jats:italic>, the background of its originator, and the originator's purpose. How were pictures conceptualized? Interpreted? In examining <jats:italic>tu</jats:italic>, Chinese scholars stressed the relational aspect of <jats:italic>tu</jats:italic> and <jats:italic>shu</jats:italic> (writing) to answer both these questions, as well as to the importance of not robbing an image of its overall beauty and life with too much graphic detail. In the West, specific concepts of technical or scientific illustrations did not exist before the Renaissance. With the coming of that age, technical illustration became a specific branch of knowledge and activity, with its own specific goals and ends.</jats:p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png American Journal of Law & Medicine Cambridge University Press

Neuroscience-Based Lie Detection: The Urgent Need for Regulation

American Journal of Law & Medicine , Volume 33 (2-3): 55 – Jun 1, 2007

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References (25)

Publisher
Cambridge University Press
Copyright
© 2007 SAGE Publications
ISSN
0098-8588
eISSN
2375-835X
DOI
10.1177/009885880703300211
Publisher site
See Article on Publisher Site

Abstract

<jats:p>“Illustration” or “map” are among the most frequently used words for translating the Chinese character <jats:italic>tu</jats:italic>, a graphic representation of any phenomenon that can be pictured in life and society, whether in traditional China or elsewhere. Investigations of the early role of <jats:italic>tu</jats:italic> in Chinese culture first set out to answer questions about who produced <jats:italic>tu</jats:italic>, the background of its originator, and the originator's purpose. How were pictures conceptualized? Interpreted? In examining <jats:italic>tu</jats:italic>, Chinese scholars stressed the relational aspect of <jats:italic>tu</jats:italic> and <jats:italic>shu</jats:italic> (writing) to answer both these questions, as well as to the importance of not robbing an image of its overall beauty and life with too much graphic detail. In the West, specific concepts of technical or scientific illustrations did not exist before the Renaissance. With the coming of that age, technical illustration became a specific branch of knowledge and activity, with its own specific goals and ends.</jats:p>

Journal

American Journal of Law & MedicineCambridge University Press

Published: Jun 1, 2007

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