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Woman, Native, Other

Woman, Native, Other Pratibha Parmar interviews Trinh T. Minh-ha Trinh T. Minh-ha is a writer, film-maker and composer. She emigrated from Vietnam to the United States in 1970 after a year at the University of Sc_zigon, and continued her studies of music and composition, French literature and ethnomusicology in the US and later in Paris. She taught music for three years at the National Conservatory of Music in Dakar, Senegal. She is currently Associate Professor of Cinema at San Francisco State University. Her vast body of work includes the books Un Art sans oeuvre (1981), En Miniscules (poems, 1987) African Spaces: Designs for Living in Upper Volta (1985) in collaboration with Jean-Paul Bourdier, and the films Reassemblage (1982), Naked Spaces, Living is Round (1985) and Surname Viet Given Name Nam (1989). An essay by her entitled 'Difference: '~ special Third World women issue"' was pub­ lished in Feminist Review No. 25, 1987. Her most recent publication is Woman, Native, Other: Writing, Postcoloniality and Feminism (1989). Pratibha Parmar spoke to her in Berkeley, California, about 'cultural hybridization and decentred re­ alities, fragmented selves and multiple identities, marginal voices and languages of rupture', all of which are issues raised in the book and in http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Feminist Review SAGE

Woman, Native, Other

Minh-ha, Trinh T.
Feminist Review , Volume 36 (1): 10 – Nov 1, 1990
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References (4)

Publisher
SAGE
Copyright
© 1990 Feminist Review
ISSN
0141-7789
eISSN
1466-4380
DOI
10.1057/fr.1990.46
Publisher site
See Article on Publisher Site

Abstract

Pratibha Parmar interviews Trinh T. Minh-ha Trinh T. Minh-ha is a writer, film-maker and composer. She emigrated from Vietnam to the United States in 1970 after a year at the University of Sc_zigon, and continued her studies of music and composition, French literature and ethnomusicology in the US and later in Paris. She taught music for three years at the National Conservatory of Music in Dakar, Senegal. She is currently Associate Professor of Cinema at San Francisco State University. Her vast body of work includes the books Un Art sans oeuvre (1981), En Miniscules (poems, 1987) African Spaces: Designs for Living in Upper Volta (1985) in collaboration with Jean-Paul Bourdier, and the films Reassemblage (1982), Naked Spaces, Living is Round (1985) and Surname Viet Given Name Nam (1989). An essay by her entitled 'Difference: '~ special Third World women issue"' was pub­ lished in Feminist Review No. 25, 1987. Her most recent publication is Woman, Native, Other: Writing, Postcoloniality and Feminism (1989). Pratibha Parmar spoke to her in Berkeley, California, about 'cultural hybridization and decentred re­ alities, fragmented selves and multiple identities, marginal voices and languages of rupture', all of which are issues raised in the book and in

Journal

Feminist Review – SAGE

Published: Nov 1, 1990

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