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Gibbon and Burckhardt both anchor those epochal boundaries in Romeâs ruins, which provide a physical emblem for a historiography of violent breaks and ruptures by recalling the loss of civilizations.4 But in reading those ruins as symbols of classical loss on the one hand or Renaissance recovery on the other, both Gibbon and Burckhardt virtually erase all material trace of the centuries that passed between the fall of the Roman Empire and the rise of Renaissance humanism, except to designate them as an intervening period ââthe Middle Ages.â For both Gibbon and Burckhardt, âthe Middle Agesâ does not describe a period in Romeâs history so much as it does a suspension of that history, the onset of which brought about classical Romeâs loss and ushered in a period of historical darkness from which that buried past could later be recovered. Thus for Gibbon, the medieval period is notable for its destructive ignorance of Romeâs past glory, when âthe forms of ancient architecture were disregarded by a people insensible of their use and beautyâ (2433), and when, furthermore, âthe statues, altars, and houses of the daemons were an abominationâ that merited only violent extirpation (2431). Burckhardt upholds a similar
Journal of Medieval and Early Modern Studies – Duke University Press
Published: Apr 1, 2000
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