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This paper demonstrates the multiple determinants of violent acting out in the film Pulp Fiction. A comparison between the contents of this work and the life of its director–scriptwriter reveals certain thematic parallels and offers a basis for understanding the attempt to master intrapsychic conflict through the cinematic creative process. Copyright © 2005 Whurr Publishers Ltd.
International Journal of Applied Psychoanalytic Studies – Wiley
Published: Mar 1, 2005
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