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P rocedure for the A ward of G rants from the M usic A nalysis D evelopment F und

P rocedure for the A ward of G rants from the M usic A nalysis D evelopment F und 1. Grants to Individuals The Editorial Board of the Journal makes grants from its Development Fund in the form of support for travel and subsistence to UK‐based students and scholars working in the discipline of music analysis to attend conferences abroad, to consult library and archival resources or to pursue other comparable research activities. Individual grants will not normally exceed £500. The Board will also consider requests from individuals for forms of support other than those detailed above. Such requests might concern, for instance, the acquisition of microfilms or photocopies of sources, or assistance with the preparation of material for publication. Criteria governing the award of such grants are: (i) the academic strength of the planned research and its relevance to the study of music analysis; (ii) the financial need. Applicants should therefore give a brief ( c .300‐word) account of the research to be undertaken and/or research material to be obtained, explaining its relevance to music analysis; additionally, they should give details of any other applications for support that have been made, or should explain why funding is not available from other sources. Student applications should be supported by a supervisor's reference. The Board does not fund sabbatical leave or research assistants. 2. Grants to Support Conferences and Other Meetings In addition to offering grants to individuals, the Board supports UK academic conferences, seminars and meetings concerned wholly or in part with the discipline of music analysis. Support is offered in three forms: (i) a guarantee against loss; (ii) a grant to assist with the travel and subsistence of a senior scholar from overseas; (iii) a grant to support the attendance of students delivering papers on a music‐analytical subject, or of students registered on courses including a substantial component of analysis. The Board will not normally entertain applications for more than one of these forms of support for a single conference or event. Applications should be supported by a draft programme or a brief ( c. 300‐word) account of the conference or event; additionally, they should give details of any other applications for support that have been made, or should explain why funding is not available from other sources. 3. Application Procedures Applications, either in writing or by email, should be addressed to the Chair at the Editorial Address given in each issue of the Journal. Applications will be considered and awards made by a sub‐committee of the Editorial Board. There are no application deadlines; each application will be considered on receipt. Applicants may normally expect a decision within one month of their application. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Music Analysis Wiley

P rocedure for the A ward of G rants from the M usic A nalysis D evelopment F und

Music Analysis , Volume 27 (2‐3) – Jul 1, 2008
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Publisher
Wiley
Copyright
Journal compilation © 2009 Blackwell Publishing Ltd.
ISSN
0262-5245
eISSN
1468-2249
DOI
10.1111/j.1468-2249.2009.00292.x
Publisher site
See Article on Publisher Site

Abstract

1. Grants to Individuals The Editorial Board of the Journal makes grants from its Development Fund in the form of support for travel and subsistence to UK‐based students and scholars working in the discipline of music analysis to attend conferences abroad, to consult library and archival resources or to pursue other comparable research activities. Individual grants will not normally exceed £500. The Board will also consider requests from individuals for forms of support other than those detailed above. Such requests might concern, for instance, the acquisition of microfilms or photocopies of sources, or assistance with the preparation of material for publication. Criteria governing the award of such grants are: (i) the academic strength of the planned research and its relevance to the study of music analysis; (ii) the financial need. Applicants should therefore give a brief ( c .300‐word) account of the research to be undertaken and/or research material to be obtained, explaining its relevance to music analysis; additionally, they should give details of any other applications for support that have been made, or should explain why funding is not available from other sources. Student applications should be supported by a supervisor's reference. The Board does not fund sabbatical leave or research assistants. 2. Grants to Support Conferences and Other Meetings In addition to offering grants to individuals, the Board supports UK academic conferences, seminars and meetings concerned wholly or in part with the discipline of music analysis. Support is offered in three forms: (i) a guarantee against loss; (ii) a grant to assist with the travel and subsistence of a senior scholar from overseas; (iii) a grant to support the attendance of students delivering papers on a music‐analytical subject, or of students registered on courses including a substantial component of analysis. The Board will not normally entertain applications for more than one of these forms of support for a single conference or event. Applications should be supported by a draft programme or a brief ( c. 300‐word) account of the conference or event; additionally, they should give details of any other applications for support that have been made, or should explain why funding is not available from other sources. 3. Application Procedures Applications, either in writing or by email, should be addressed to the Chair at the Editorial Address given in each issue of the Journal. Applications will be considered and awards made by a sub‐committee of the Editorial Board. There are no application deadlines; each application will be considered on receipt. Applicants may normally expect a decision within one month of their application.

Journal

Music Analysis – Wiley

Published: Jul 1, 2008

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