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Copyright © 2009 John Wiley & Sons, Ltd Int. J. Appl. Psychoanal. Studies 6: 361â362 (2009) DOI: 10.1002/aps Letter to the editor of humanity (Tylim, 2009, p. 97). Bernsteinâs sensitivity to the ambiguity and tension inherent in the tritone (historically labeled âthe devil in musicâ) in West Side Story can be conceptualized as an intersection among music theory, theories of mind, hold implications for clinical practice, and transport psychoanalytic concepts from the analytic couch to the Broadway stage and on into the community to address the complexities of love, aggression, violence, and prejudice. I believe these are themes that Tylim addresses so poignantly in his article and that urge psychoanalysis to address racial, ethnic, and other emotional challenges in creative ways that bring psychoanalytic understanding outside our consulting rooms. Julie Jaffee Nagel, PhD 400 Maynard Street Ste 706 Ann Arbor, MI 48104, USA jjnagel@comcast.net Copyright © 2009 John Wiley & Sons, Ltd Int. J. Appl. Psychoanal. Studies 6: 361â362 (2009) DOI: 10.1002/aps
International Journal of Applied Psychoanalytic Studies – Wiley
Published: Dec 1, 2009
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