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E ditor ' s N ote

E ditor ' s N ote To celebrate its twenty‐fifth anniversary, Music Analysis held a series of publication competitions for graduate students with generous co‐operation from the programme committees of the 2007 European Music Analysis Conference in Freiburg, the 2007 SMT Annual Meeting in Baltimore and the 2008 SMA Music Analysis Conference in Cardiff. Following publication of Anne M. Hyland's ‘Rhetorical Closure in the First Movement of Schubert's Quartet in C major, D. 46: a Dialogue with Deformation’ in the March 2009 issue of the journal, we are delighted to include the prizewinning submissions by Robert Hasegawa (SMT Baltimore) and Joshua B. Mailman (SMA CarMAC) in the present double issue. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Music Analysis Wiley

E ditor ' s N ote

Music Analysis , Volume 28 (2‐3) – Jul 1, 2009
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Publisher
Wiley
Copyright
© 2011 The Author. Music Analysis © 2011 Blackwell Publishing Ltd
ISSN
0262-5245
eISSN
1468-2249
DOI
10.1111/j.1468-2249.2011.00311.x
Publisher site
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Abstract

To celebrate its twenty‐fifth anniversary, Music Analysis held a series of publication competitions for graduate students with generous co‐operation from the programme committees of the 2007 European Music Analysis Conference in Freiburg, the 2007 SMT Annual Meeting in Baltimore and the 2008 SMA Music Analysis Conference in Cardiff. Following publication of Anne M. Hyland's ‘Rhetorical Closure in the First Movement of Schubert's Quartet in C major, D. 46: a Dialogue with Deformation’ in the March 2009 issue of the journal, we are delighted to include the prizewinning submissions by Robert Hasegawa (SMT Baltimore) and Joshua B. Mailman (SMA CarMAC) in the present double issue.

Journal

Music Analysis – Wiley

Published: Jul 1, 2009

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