Victorian Poetry Index VOLUME 51, 2013 99 D.M.R. Bentley Dante Gabriel Rossetti's "Absurd," Antiquarian, and "Modern-Antique" Medievalism(s): Girlhood of Mary Virgin, The Bride's Prelude, and "Stratton Water" 1 147 Alan P. Barr The Irony of Swinburne's Atalanta in Calydon S. Brooke Cameron The Pleasures of Looking and the Feminine Gaze in Michael Field's Sight and Song 511 249 Ayse Çelikkol Secular Pleasures and FitzGerald's Rubáiyát of Omar Khayyám Sarah H. Ficke Crafting Social Criticism: Infanticide in "The Runaway Slave at Pilgrim's Point" and Aurora Leigh 37 Michelle Geric Tennyson's Maud (1855) and the "unmeaning of names": Geology, Language Theory, and Dialogics Guide to the Year's Work 81 443 John Hughes Meter and Context: Hardy's "Neutral Tones" Linda K. Hughes Narrative Matters: Keynote Address to "Forms and Fashions. A Conference in Celebration of the 50th Anniversary of Victorian Poetry" 271 Andrew Kay Swinburne, Impressionistic Formalism, and the Afterlife of Victorian Poetic Theory 63 177 Mary Mullen Two Clocks: Aurora Leigh, Poetic Form, and the Politics of Timeliness Jason Nabi Tennyson with the Net Down: His "Freer" Verse 564 / VICTORIAN POETRY 465 Albert D. Pionke Erotic, Prosodic, and Ethical-Aesthetic Forms of Triangulation in Augusta Webster's Dramatic Studies and A
Victorian Poetry – West Virginia University Press
Published: Feb 14, 2013
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