Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
Nils Ivar Agøy o some extent, this presentation is a follow-up of something I said at the Ring Goes Ever On conference in Birmingham in 2005: The Lord of the Rings is a book to make one's own. It is automatically personalized, so to speak. It invites participation, in many subtle ways. Then, too, we simply have to contribute something of our own if we are to visualize what happens in it. Tolkien's descriptions are rarely very detailed. People, buildings and objects are usually described more or less as the scenery or weather is described, quite vaguely, that is; as seen from a distance. We are told that a main character like Aragorn is long-legged and weather-beaten, but not if he has a beard or buttons in his clothes. The chair he sits on is low and comfortable, but what is it actually made of? The book encourages, almost forces the reader to make her own, more detailed pictures of people and settings--which many do so thoroughly as to become quite annoyed when they discover, in illustrations or films, for instance, that others see things differently. There are not many books about which you can have decade-long discussions
Tolkien Studies – West Virginia University Press
Published: Jul 18, 2013
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.