The Ends of Rhyme: Swinburneâs A entury of Roundels and Late- ictorian Rhyme Culture ADAM MAZEL A roundel is wrought as a ring or a starbright sphere, With craft of delight and with cunning of sound unsought. â lgernon Charles Swinburne, âThe Roundel,â A Century of Roundels (1883) Le poÃ¨te qui commence sa ballade ne sait pas trop ce quâil y mettra: la rime, et la rime toute seule, lui suggÃ©rera des choses inattendues et charmantes, auxquelles il nâaurait pas songÃ© sans elle, des choses unies par des rapports lointains et secrets, et qui sâenchaÃ®neront avec un peu du dÃ©sordre dâun rÃªve. â ules LemaÃ®tre, âThÃ©odore de Banvilleâ (1885) lgernon Charles Swinburne was always the most French of Victorian poets. In the late 1850s, as an undergraduat Balliol College, Oxford, Swinburne came nder the influence of a French revival oedieval poÃ¨mes Ã forme fixe, such as the ballade, rondeau, rondel, and triolet. hese French fixed verse forms were given their final shapes by their mid- fteenth- entury masters, fi Duke Charles dâOrlÃ©ans and FranÃ§ois Villon; four centuries ater, hese forms ere recovered by the poet and critic ThÃ©odore de Banville and the loose cohort of poets known as
Victorian Poetry – West Virginia University Press
Published: Oct 4, 2017
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