328 / VICTORIAN POETRY BRITTA MARTENS The past year has been a busy one in Browning scholarship, with new volumes in two of the ongoing editions of his poems, one volume of The Brownings' Correspondence, a biography, a short monograph, and a good number of articles and contributions to essay collections, which use critical paradigms ranging from the Gothic to cognitive psychology. It is heartening to see that, in addition to The Ring and the Book and the popular poems on love and music, Browning's neglected later works receive a significant amount of attention. With the waning of the critical fashion for the death of the author, analyses considering the impact of the poet's personality and experience on his work are also much in evidence. The most substantial among the book-length publications is volume 3 of The Poems of Robert Browning in the Longman Annotated English Poets series, edited by John Woolford, Daniel Karlin, and Joseph Phelan (Harlow: Pearson Longman, 2007). As always in the Longman edition, which works from the first published version of a text rather than the last lifetime edition, the poems are presented in the order of their (assumed) composition. This editorial choice highlights
Victorian Poetry – West Virginia University Press
Published: Nov 28, 2008
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