Elizabeth Barrett Browning

Elizabeth Barrett Browning MARJORIE STONE / 377 MARJORIE STONE Surveying canonical transformations in the forty-four years since es- tablishment of the journal Victorian Studies, Edward H. Cohen notes, as one significant change, that there are now “almost as many” bibliography entries each year on Elizabeth Barrett Browning as Robert Browning (“‘Vic- torian Bibliographies’” VS 44 [2002]: 630). This year’s essay covers a full- length study, several books with substantial sections and/or essays on EBB, assorted articles, and a major new web resource mounted by the Armstrong Browning Library. While work on Aurora Leigh continues to appear, it no longer dominates the scene. Casa Guidi Windows and Sonnets from the Por- tuguese figure prominently once again, but critics are increasingly consid- ering lesser known works as well. Political, national, and religious identi- ties are attracting as much, if not more interest, than gender issues; other topics include EBB’s response to Felicia Hemans and Letitia Landon, trans- Atlantic abolitionist networks, genre, sculpture, metrics, and connections between Flush and fascism. Among new books, this year has brought Simon Avery and Rebecca Stott’s wide-ranging study, Elizabeth Barrett Browning (2003), published in the same Longman series as John Woolford and Daniel Karlin’s Robert Browning (1996). Avery and http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Victorian Poetry West Virginia University Press

Elizabeth Barrett Browning

Victorian Poetry, Volume 41 (3) – Dec 16, 2003

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Publisher
West Virginia University Press
Copyright
Copyright © 2003 West Virginia University.
ISSN
1530-7190

Abstract

MARJORIE STONE / 377 MARJORIE STONE Surveying canonical transformations in the forty-four years since es- tablishment of the journal Victorian Studies, Edward H. Cohen notes, as one significant change, that there are now “almost as many” bibliography entries each year on Elizabeth Barrett Browning as Robert Browning (“‘Vic- torian Bibliographies’” VS 44 [2002]: 630). This year’s essay covers a full- length study, several books with substantial sections and/or essays on EBB, assorted articles, and a major new web resource mounted by the Armstrong Browning Library. While work on Aurora Leigh continues to appear, it no longer dominates the scene. Casa Guidi Windows and Sonnets from the Por- tuguese figure prominently once again, but critics are increasingly consid- ering lesser known works as well. Political, national, and religious identi- ties are attracting as much, if not more interest, than gender issues; other topics include EBB’s response to Felicia Hemans and Letitia Landon, trans- Atlantic abolitionist networks, genre, sculpture, metrics, and connections between Flush and fascism. Among new books, this year has brought Simon Avery and Rebecca Stott’s wide-ranging study, Elizabeth Barrett Browning (2003), published in the same Longman series as John Woolford and Daniel Karlin’s Robert Browning (1996). Avery and

Journal

Victorian PoetryWest Virginia University Press

Published: Dec 16, 2003

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