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Contributors

Contributors Timothy Bewes, professor of English at Brown University, is the author of The Event of Postcolonial Shame (Princeton, 2011), Reification, or the Anxiety of Late Capitalism (Verso, 2002), and Cynicism and Postmodernity (Verso, 1997). He is editor of The Contemporary Novel: Imagining the Twenty-First Century (Duke, 2012) and co-editor of Georg Luka ´cs: The Fundamental Dissonance of Existence (Continuum, 2011), After Fanon (Lawrence and Wishart, 2002), and Cultural Capitalism (Lawrence and Wishart, 2000). He has published articles on Jacques Rancie `re and the novel, Paul Auster, Jean-Philippe Toussaint, philosophical honesty, postmodern fiction, spin, sleaze, and abstraction. Florence Dore is associate professor of English at the University of North Carolina, Chapel Hill. She is the author of The Novel and the Obscene: Sexual Subjects in American Modernism (Stanford, 2005) and several articles, including “The Rock Novel and Jonathan Lethem’s The Fortress of Solitude.” She co-edits the Stanford University Press Post-45 book series. Her works in progress in- clude two book manuscripts, “Forms of Privacy: Reading Transparency in the Postwar Southern Novel” and “The Rock Novel in Contemporary American Fiction.” Timothy Wright recently received a Ph.D. in English from Duke University and is a lecturer in English at the University of http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Contemporary Literature University of Wisconsin Press

Contributors

Contemporary Literature , Volume 55 (1) – May 21, 2014

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Publisher
University of Wisconsin Press
Copyright
Copyright © the Board of Regents of the University of Wisconsin.
ISSN
1548-9949

Abstract

Timothy Bewes, professor of English at Brown University, is the author of The Event of Postcolonial Shame (Princeton, 2011), Reification, or the Anxiety of Late Capitalism (Verso, 2002), and Cynicism and Postmodernity (Verso, 1997). He is editor of The Contemporary Novel: Imagining the Twenty-First Century (Duke, 2012) and co-editor of Georg Luka ´cs: The Fundamental Dissonance of Existence (Continuum, 2011), After Fanon (Lawrence and Wishart, 2002), and Cultural Capitalism (Lawrence and Wishart, 2000). He has published articles on Jacques Rancie `re and the novel, Paul Auster, Jean-Philippe Toussaint, philosophical honesty, postmodern fiction, spin, sleaze, and abstraction. Florence Dore is associate professor of English at the University of North Carolina, Chapel Hill. She is the author of The Novel and the Obscene: Sexual Subjects in American Modernism (Stanford, 2005) and several articles, including “The Rock Novel and Jonathan Lethem’s The Fortress of Solitude.” She co-edits the Stanford University Press Post-45 book series. Her works in progress in- clude two book manuscripts, “Forms of Privacy: Reading Transparency in the Postwar Southern Novel” and “The Rock Novel in Contemporary American Fiction.” Timothy Wright recently received a Ph.D. in English from Duke University and is a lecturer in English at the University of

Journal

Contemporary LiteratureUniversity of Wisconsin Press

Published: May 21, 2014

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