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Contributors

Contributors Mollie Godfrey, assistant professor of English at James Madison University, is the co-editor with Vershawn Ashanti Young of Neo-Passing: Performing Identity after Jim Crow (Illinois, 2018). She has published articles on Pauline Hopkins, Nella Larsen, Richard Wright, John Steinbeck, and community-engaged ped- agogy. She has received the Conference of Community Writing Outstanding College-Community project award and the Pauline Hopkins Society Memo- rial Scholarship Award. She is working on a book-length project titled “Black Humanisms: Race, Gender, and the Fictions of Segregation” and an edited vol- ume titled “Conversations with Lorraine Hansberry.” Rebbeca Macmillan, 2016–2017 American Association of University Women Austin Branch Fellow, is a postdoctoral lecturer in English at The University of Texas at Austin. She is currently writing a book titled “Archival Poetics: Ordi- nary Crisis in Contemporary Literature.” Jaclyn Partyka is instructor of English and Literature at Temple University, where she received her PhD. She is writing a monograph titled “Notorious Doppelgängers: Reading the Anxieties of Contemporary Authorship.” Jill Richards , assistant professor of English at Yale University, has published articles on suffragette riots, German cinema, Elena Ferrante, young adult nov- els, and feminist “sex wars.” She is working on a book titled “Inhumanities: Women’s Rights, Human Rights, and the International Avant-Gardes.” Brian Kim Stefans is associate professor of English at the University of Califor- nia, Los Angeles. His numerous published books of essays and poems include Word Toys: Poetry and Technics (Alabama, 2017), For a New Urbanism (Make Now, 2017), What Is Said to the Poet Concerning Flowers (Factory School, 2006), and Fashionable Noise: On Digital Poetics (Atelos, 2003). He has published articles on poetry and poetics, continental philosophy, technology, and popular music. In addition to his poetry, Stefans has created a number of recognized digital lit- erary works that can be found on his website, arras.net. He is currently writing books titled “Extremes and Moderations: Los Angeles Poetry 1850–1985” and “Scavenged Luxury: LA Punk/Post-Punk 1977–1987.” Jini Kim Watson is associate professor of English and comparative literature at New York University. She is the author of The New Asian City: Three-Dimen- sional Fictions of Space and Urban Form (Minnesota, 2011) and co-editor with Gary Wilder of The Postcolonial Contemporary (forthcoming from Fordham). She has published articles on postcolonial Asia-Pacific literature and film; her cur- rent work in progress is a book-length project on postcolonial authoritarianism and literary cultures. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Contemporary Literature University of Wisconsin Press

Contributors

Contemporary Literature , Volume 58 (2) – Apr 10, 2018
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Publisher
University of Wisconsin Press
Copyright
Copyright © 2008 the Board of Regents of the University of Wisconsin.
ISSN
1548-9949

Abstract

Mollie Godfrey, assistant professor of English at James Madison University, is the co-editor with Vershawn Ashanti Young of Neo-Passing: Performing Identity after Jim Crow (Illinois, 2018). She has published articles on Pauline Hopkins, Nella Larsen, Richard Wright, John Steinbeck, and community-engaged ped- agogy. She has received the Conference of Community Writing Outstanding College-Community project award and the Pauline Hopkins Society Memo- rial Scholarship Award. She is working on a book-length project titled “Black Humanisms: Race, Gender, and the Fictions of Segregation” and an edited vol- ume titled “Conversations with Lorraine Hansberry.” Rebbeca Macmillan, 2016–2017 American Association of University Women Austin Branch Fellow, is a postdoctoral lecturer in English at The University of Texas at Austin. She is currently writing a book titled “Archival Poetics: Ordi- nary Crisis in Contemporary Literature.” Jaclyn Partyka is instructor of English and Literature at Temple University, where she received her PhD. She is writing a monograph titled “Notorious Doppelgängers: Reading the Anxieties of Contemporary Authorship.” Jill Richards , assistant professor of English at Yale University, has published articles on suffragette riots, German cinema, Elena Ferrante, young adult nov- els, and feminist “sex wars.” She is working on a book titled “Inhumanities: Women’s Rights, Human Rights, and the International Avant-Gardes.” Brian Kim Stefans is associate professor of English at the University of Califor- nia, Los Angeles. His numerous published books of essays and poems include Word Toys: Poetry and Technics (Alabama, 2017), For a New Urbanism (Make Now, 2017), What Is Said to the Poet Concerning Flowers (Factory School, 2006), and Fashionable Noise: On Digital Poetics (Atelos, 2003). He has published articles on poetry and poetics, continental philosophy, technology, and popular music. In addition to his poetry, Stefans has created a number of recognized digital lit- erary works that can be found on his website, arras.net. He is currently writing books titled “Extremes and Moderations: Los Angeles Poetry 1850–1985” and “Scavenged Luxury: LA Punk/Post-Punk 1977–1987.” Jini Kim Watson is associate professor of English and comparative literature at New York University. She is the author of The New Asian City: Three-Dimen- sional Fictions of Space and Urban Form (Minnesota, 2011) and co-editor with Gary Wilder of The Postcolonial Contemporary (forthcoming from Fordham). She has published articles on postcolonial Asia-Pacific literature and film; her cur- rent work in progress is a book-length project on postcolonial authoritarianism and literary cultures.

Journal

Contemporary Literature – University of Wisconsin Press

Published: Apr 10, 2018

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