Michael Davidson, Distinguished Professor in the department of literature at the University of California, San Diego, is the author of The San Francisco Renaissance: Poetics and Community at Mid-Century (Cambridge, 1989); Ghostlier Demarcations: Modern Poetry and the Material Word (California, 1997); Guys Like Us: Citing Masculinity in Cold War Poetics (Chicago, 2003); Concerto for the Left Hand: Disability and the Defamiliar Body (Michigan, 2008); and Outskirts of Form: Practicing Cultural Poetics (Wesleyan, 2011). He edited The New Collected Poems of George Oppen (New Directions, 2002). His current project is a collection of essays on disability and modernism that examines the relationship between biofuturity and modernist literature in the writing of Henry James, Djuna Barnes, Samuel Beckett, and F. T. Marinetti. Kaplan Page Harris, assistant professor of English at St. Bonaventure University in western New York State, has published widely on modern and contemporary poetry. He is co-editor, with Peter Baker and Rod Smith, of Robert Creeley's selected letters, forthcoming from the University of California Press. Ann Keniston, associate professor of English at the University of Nevada, Reno, is the author of Overheard Voices: Address and Subjectivity in Postmodern American Poetry (Routledge, 2006) and co-editor, with Jeanne Follansbee Quinn,
Contemporary Literature – University of Wisconsin Press
Published: Apr 13, 2011
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