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Representation and the Body of Power in French Academic Painting Amy M. Schmitter Reputation of power, is Power . . . Hobbes, Leviathan, Bk. I, ch. x Introduction It seems natural, even obvious, to distinguish between representations and what they are representations of. A picture of a dog is no more a dog than the word “dog” is a furry, tail-wagging mammal. Nor are properties belonging to the object of a representation necessarily properties of the representation: a pic- ture of a big dog need not be big, a picture of a dog that resembles Fido need not resemble Fido; even a picture of brown Fido need not be brown. And no number of pictures of Fido will sympathetically induce changes in Fido or any other dog. But however clear-cut this distinction may be when what is in question are pic- torial references to ordinary, middle-sized material particulars such as dogs, it is much less clear in other cases. It is no violation of common-sense to consider “representations” of such things as gender norms or national identities or selves as non-neutral in the face of what they represent. The representations of gender norms, for example, can extend and enforce
Journal of the History of Ideas – University of Pennsylvania Press
Published: Jul 1, 2002
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