<i>Quakers and Abolition</i> ed. by Brycchan Carey and Geoffrey Plank (review)

Quakers and Abolition ed. by Brycchan Carey and Geoffrey Plank (review) REVIEWS � 341 cacophony of unexpected voices competing for popular approval and profit, using a range of slippery and conflicted forms. Considering such practices and discourses alongside more conventional kinds of cultural history archives, this book adds significantly to our sense of trans- Atlantic popular performances, racial discourses, and national ideologies in the revolutionary Atlantic world. Peter P. Reed is associate professor of American literature at the University of Mississippi. He is the author of Rogue Performances: Stag- ing the Underclasses in Early American Theatre Culture (London, 2009). Quakers and Abolition. Edited by Brycchan Carey and Geoffrey Plank. (Urbana: University of Illinois Press, 2014. Pp. 246. Cloth, $45.00.) Reviewed by Jane E. Calvert Quakers have long been acknowledged as an important part of the aboli- tionist movement. But ‘‘outside specialist circles,’’ as the editors of this important new volume explain, ‘‘the Quakers’ involvement in debates over slavery is underappreciated’’ (5). So is the complexity of their often- fraught relationship with abolitionism. Outsiders are often shocked that Quakers themselves owned slaves, held racist views, and were, at times, bitterly divided over abolition. This collection takes a broad approach to remedying these misunderstandings, with fourteen brief essays on a vari- ety http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of the Early Republic University of Pennsylvania Press

<i>Quakers and Abolition</i> ed. by Brycchan Carey and Geoffrey Plank (review)

Journal of the Early Republic, Volume 35 (2) – Apr 29, 2015

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Publisher
University of Pennsylvania Press
Copyright
Copyright © 2008 Society for Historians of the Early American Republic.
ISSN
1553-0620

Abstract

REVIEWS � 341 cacophony of unexpected voices competing for popular approval and profit, using a range of slippery and conflicted forms. Considering such practices and discourses alongside more conventional kinds of cultural history archives, this book adds significantly to our sense of trans- Atlantic popular performances, racial discourses, and national ideologies in the revolutionary Atlantic world. Peter P. Reed is associate professor of American literature at the University of Mississippi. He is the author of Rogue Performances: Stag- ing the Underclasses in Early American Theatre Culture (London, 2009). Quakers and Abolition. Edited by Brycchan Carey and Geoffrey Plank. (Urbana: University of Illinois Press, 2014. Pp. 246. Cloth, $45.00.) Reviewed by Jane E. Calvert Quakers have long been acknowledged as an important part of the aboli- tionist movement. But ‘‘outside specialist circles,’’ as the editors of this important new volume explain, ‘‘the Quakers’ involvement in debates over slavery is underappreciated’’ (5). So is the complexity of their often- fraught relationship with abolitionism. Outsiders are often shocked that Quakers themselves owned slaves, held racist views, and were, at times, bitterly divided over abolition. This collection takes a broad approach to remedying these misunderstandings, with fourteen brief essays on a vari- ety

Journal

Journal of the Early RepublicUniversity of Pennsylvania Press

Published: Apr 29, 2015

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