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Musical References in Brucioli’s Dialogi and Their Classical and Medieval Antecedents

Musical References in Brucioli’s Dialogi and Their Classical and Medieval Antecedents Among the distinguished intellectuals of sixteenth-century Italy was Antonio Brucioli, renowned for participating in the gatherings in the garden of the Rucellai in Florence during the second decade of the sixteenth century. Since Delio Cantimori’s fundamental article and Giorgio Spini’s fundamental monograph, Brucioli’s <i>Dialogi</i> have been valued for the insight they afford into the discussions of the Rucellai group. Twice in the <i>Dialogi</i> Brucioli offers a revealing discussion of music. The references reflect intellectual traditions of great significance and longevity and afford valuable insight into the late-Renaissance reception of such venerable doctrines. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of the History of Ideas University of Pennsylvania Press

Musical References in Brucioli’s Dialogi and Their Classical and Medieval Antecedents

Journal of the History of Ideas , Volume 71 (2) – Apr 24, 2010

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Publisher
University of Pennsylvania Press
Copyright
Copyright © 2010 The Journal of the History of Ideas, Inc.
ISSN
1086-3222

Abstract

Among the distinguished intellectuals of sixteenth-century Italy was Antonio Brucioli, renowned for participating in the gatherings in the garden of the Rucellai in Florence during the second decade of the sixteenth century. Since Delio Cantimori’s fundamental article and Giorgio Spini’s fundamental monograph, Brucioli’s <i>Dialogi</i> have been valued for the insight they afford into the discussions of the Rucellai group. Twice in the <i>Dialogi</i> Brucioli offers a revealing discussion of music. The references reflect intellectual traditions of great significance and longevity and afford valuable insight into the late-Renaissance reception of such venerable doctrines.

Journal

Journal of the History of IdeasUniversity of Pennsylvania Press

Published: Apr 24, 2010

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