God and His Son: Christian Affinities in the Shaping of the Sava and Yanuka Figures in the Zohar

God and His Son: Christian Affinities in the Shaping of the Sava and Yanuka Figures in the Zohar ABSTRACT: The main objective of this essay is to focus on the examination of Christian affinities in the shaping of the Sava and Yanuqa characters, and particularly on the close relations between the Yanuqa figure and that of Jesus. This analysis will be accomplished through a survey of various textual clues, which combined create a mosaic of Christian affinities which shaped the Sava and the Yanuqa characters, and reveal their complex and ambivalent attitude towards Christianity. Three of the Sava and Yanuqa stories, in which these figures reach their fullest development and the greatest degree of aesthetic and poetic refinement, will serve as the main texts to be examined in this essay: the Tay‘a (Donkey driver) story printed in the introduction to the Zohar (Zohar vol. 1, introduction, 2b–14b); the Yanuqa story printed in the Balak pericope (Zohar vol. 3, 186a–191b); and the Sava story printed in the Mishpatim pericope (Zohar vol. 2, 92a–114a). http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Jewish Quarterly Review University of Pennsylvania Press

God and His Son: Christian Affinities in the Shaping of the Sava and Yanuka Figures in the Zohar

Jewish Quarterly Review, Volume 107 (1) – Feb 24, 2017

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Publisher
University of Pennsylvania Press
Copyright
Copyright © Center for Advanced Judaic Studies, University of Pennsylvania.
ISSN
1553-0604
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Abstract

ABSTRACT: The main objective of this essay is to focus on the examination of Christian affinities in the shaping of the Sava and Yanuqa characters, and particularly on the close relations between the Yanuqa figure and that of Jesus. This analysis will be accomplished through a survey of various textual clues, which combined create a mosaic of Christian affinities which shaped the Sava and the Yanuqa characters, and reveal their complex and ambivalent attitude towards Christianity. Three of the Sava and Yanuqa stories, in which these figures reach their fullest development and the greatest degree of aesthetic and poetic refinement, will serve as the main texts to be examined in this essay: the Tay‘a (Donkey driver) story printed in the introduction to the Zohar (Zohar vol. 1, introduction, 2b–14b); the Yanuqa story printed in the Balak pericope (Zohar vol. 3, 186a–191b); and the Sava story printed in the Mishpatim pericope (Zohar vol. 2, 92a–114a).

Journal

Jewish Quarterly ReviewUniversity of Pennsylvania Press

Published: Feb 24, 2017

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