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<p>Abstract:</p><p>This article investigates John Fordâs use of mixed temporality to stage succession in <i>Perkin Warbeck</i>. Although Perkin aspires to be planted in his âown inheritanceâ and ascend to the throne, Fordâs play first entertains and then dismisses the aspirations of this pretender. I argue that Fordâs pretender plot is equally about the past and the future. The play represents both history as it unfolded and the possible counterfactual projected by Perkinâs desired succession. I show that Fordâs <i>Perkin Warbeck</i>, instead of revealing the limits of the history play, celebrates the affordances of the genre. These brief, dramatized chronicles bring pasts, presents, and futures to life on the stage.</p>
Studies in Philology – University of North Carolina Press
Published: Jun 29, 2018
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