Access the full text.
Sign up today, get DeepDyve free for 14 days.
his uncle, the illegitimate son of a common grandfather, an immigrant from Bul- garia. As the novel changes course to focus on Sebastian Chrest-Jones’s mysterious disappearance, the novel’s r fi st story line recedes into the background for several chapters. But the two plots reconnect toward the end thanks to Fa Chang, Chrest- Jones’s lover, and to her twin brother Xiao Chang. Murder in Byzantiu mig m ht disappoint the real aci fi onados of detective c fi tion, at least those who like their thrillers light and simple. Kristeva’s novel is anything but that. Part academic novel, part psychoanalytical treaty on childhood scars, part historical novel on the Crusades, part travel narrative, part political essay on the state of the world today, part philosophical meditation on identity, this is a rich and complex work. If Murder in Byzantiu mam nages to retain a unity of purpose in spite of its apparent eclecticism, it is primarily because it is a book by Kristeva on Kristeva, the most autobiographical of her novels, according to an interview she gave to the newspaper Le Monde. Direct autobiographical references abound in the novel: “Julia Kristeva” makes several appearances as a character; Stéphanie Delacour
The Comparatist – University of North Carolina Press
Published: May 29, 2007
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.