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Sofia ahlberg Goodbye Crude World The Aesthetics of Environmental Catastrophe in Michel Faber’s The Book of Strange New Things and Edward Burtynsky’s Oil Photographs For Halloween in 2015, e Th Guardian published a piece on the fears of a range of authors including novelist Michel Faber. Faber recalled the sense of alarm he felt as a child while viewing a Christian inspirational film. It was set in a circus in which a Jesus- like clown takes on another’s suffering as a magician saws his female assis- tant in half. Faber was frightened, he says, because as a nine- y ear old he was unable to read the film allegorically as a parable of Christ’s passion redeeming humanity. He saw only the violence done to the woman fully felt by C as- hr clo ist- wn, whose face contorted with agonising pain during the performance. To those familiar with Faber’s work, and perhaps especially his recent, and by his own account final, novel e Th Book of Strange New Things (2014), fear and apprehension are to be expected. Indeed, a sense of impending doom pervades this most recent novel until it be- comes the terrifying actuality of complete global breakdown.
The Comparatist – University of North Carolina Press
Published: Nov 1, 2017
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