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Deleuze and the Invention of Images: From Beckett's Television Plays to Noh Drama

Deleuze and the Invention of Images: From Beckett's Television Plays to Noh Drama Deleuze and the Invention of Images: From Beckett's Television Plays to Noh Drama Ronald Bogue The Comparatist, Volume 26, May 2002, pp. 37-52 (Article) Published by The University of North Carolina Press DOI: https://doi.org/10.1353/com.2002.0003 For additional information about this article https://muse.jhu.edu/article/414734/summary Access provided at 18 Feb 2020 10:54 GMT from JHU Libraries THE COHPAnATLST DELEUZE AND THE INVENTION OF IMAGES: FROM BECKETT'S TELEVISION PLAYS TO NOH DRAMA Ronald Bogue In 1992, Minuit published a volume of four of Samuel Beckett's televi- sion plays (Quad, Ghost Trio, ... but the clouds ..., and Nacht und Träume), accompanied by an essay on Beckett by the French philosopher Gilles Deleuze, titled "L'Epuisé" ("The Exhausted").1 In his comments on ... but the clouds .. , Deleuze remarks briefly on the lines from Yeats's poem "The Tower" that give the play its title and then suggests a general affinity between drama and Beckett's television plays, one that Deleuze links to fascination with Japanese Noh drama, an art form that directly and significantly influenced theater. Though Beckett nowhere acknowl- edges any indebtedness to Noh drama in his own works, Deleuze senses a convergence of interests and sensibilities in Noh drama, theater, and Beckett's television plays, http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Comparatist University of North Carolina Press

Deleuze and the Invention of Images: From Beckett's Television Plays to Noh Drama

The Comparatist , Volume 26 – Oct 3, 2012

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Publisher
University of North Carolina Press
Copyright
Copyright © Southern Comparative Literature Association.
ISSN
1559-0887

Abstract

Deleuze and the Invention of Images: From Beckett's Television Plays to Noh Drama Ronald Bogue The Comparatist, Volume 26, May 2002, pp. 37-52 (Article) Published by The University of North Carolina Press DOI: https://doi.org/10.1353/com.2002.0003 For additional information about this article https://muse.jhu.edu/article/414734/summary Access provided at 18 Feb 2020 10:54 GMT from JHU Libraries THE COHPAnATLST DELEUZE AND THE INVENTION OF IMAGES: FROM BECKETT'S TELEVISION PLAYS TO NOH DRAMA Ronald Bogue In 1992, Minuit published a volume of four of Samuel Beckett's televi- sion plays (Quad, Ghost Trio, ... but the clouds ..., and Nacht und Träume), accompanied by an essay on Beckett by the French philosopher Gilles Deleuze, titled "L'Epuisé" ("The Exhausted").1 In his comments on ... but the clouds .. , Deleuze remarks briefly on the lines from Yeats's poem "The Tower" that give the play its title and then suggests a general affinity between drama and Beckett's television plays, one that Deleuze links to fascination with Japanese Noh drama, an art form that directly and significantly influenced theater. Though Beckett nowhere acknowl- edges any indebtedness to Noh drama in his own works, Deleuze senses a convergence of interests and sensibilities in Noh drama, theater, and Beckett's television plays,

Journal

The ComparatistUniversity of North Carolina Press

Published: Oct 3, 2012

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