Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
<p>Abstract:</p><p>The is article presents a discursively oriented international and transnational approach to the Salzburg Festival's musical-political history in the local, national, and global context. Standing at the crossroads between the prestige politics of postâWorld War II Salzburg, the U.S. occupation, and the nation of France, these musicians contributed to the construction of imageries of musical Frenchness and to France's musical prestige. However, public reactions eff orts played an important role too, as the example of the Chorale de la Cathédrale de Strasbourg illustrates. Triumphs and controversies of French musical diplomacy in Salzburg illuminate the dynamics of interaction among cultural diplomats, musicians, and various publics and impact the postwar Austrian cultural discourse.</p>
Journal of Austrian Studies – University of Nebraska Press
Published: Jan 26, 2019
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.