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La Symphonie politique: Notes sur le Beethoven de Victor Hugo

La Symphonie politique: Notes sur le Beethoven de Victor Hugo <p> This paper attempts to show that while the young Victor Hugo proved oblivious to music in general and that of Beethoven in particular, the mature writer of William Shakespeare (1864) tried to make amends for reasons having more to do with politics than musicology. Indeed, Victor Hugo may have included Beethoven in his artistic pantheon so as to better exclude Goethe, the other "great German" whose anti-democratic and aristocratic stance clashed with Hugo&apos;s republican ideals. (MP) </p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Nineteenth-Century French Studies University of Nebraska Press

La Symphonie politique: Notes sur le Beethoven de Victor Hugo

Nineteenth-Century French Studies , Volume 30 (1) – Sep 1, 2001

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Publisher
University of Nebraska Press
Copyright
Copyright © 2001 The University of Nebraska Press.
ISSN
1536-0172

Abstract

<p> This paper attempts to show that while the young Victor Hugo proved oblivious to music in general and that of Beethoven in particular, the mature writer of William Shakespeare (1864) tried to make amends for reasons having more to do with politics than musicology. Indeed, Victor Hugo may have included Beethoven in his artistic pantheon so as to better exclude Goethe, the other "great German" whose anti-democratic and aristocratic stance clashed with Hugo&apos;s republican ideals. (MP) </p>

Journal

Nineteenth-Century French StudiesUniversity of Nebraska Press

Published: Sep 1, 2001

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