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Interview with Martine Kei Green-Rogers

Interview with Martine Kei Green-Rogers Stacey Haslam We cannot pretend like race and gender don’t matter, because if they didn’t matter, racism and sexism and misogyny wouldn’t be a thing. Martine Kei Green- Rogers is an associate professor at SUNY New Paltz, the fellowship associate at the Playwrights’ Center, past president of the Liter- ary Managers and Dramaturgs of the Americas, and a freelance dramaturg. Her dramaturgical credits include productions with the Louisville Orchestra, Salt Lake Acting Company, Pioneer Th eatre Company, Plan- B Th eatre, the Goodman, Round House Th eatre, Marin Th eatre Company, Court Th eatre, CATCO, and the Oregon Shakespeare Festival. *** Stacey Haslam: First off , I just want you to tell me a little bit about how you got started in the theater world and, more specifi cally, dramaturgy and what drew you to it. And maybe for those people out there who are unsure of what a dramaturg does, describe what that job looks like. Martine Kei Green- Rogers: I got started in dramaturgy as an undergrad. I attended Virginia Wesleyan College (which is now Virginia Wesleyan Uni- versity) as a double major in theater and history. My very astute advisor at the time, Dr. Sally Shedd, http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Frontiers: A Journal of Women Studies University of Nebraska Press

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Publisher
University of Nebraska Press
Copyright
Copyright © Frontiers Editorial Collective, Inc
ISSN
1536-0334

Abstract

Stacey Haslam We cannot pretend like race and gender don’t matter, because if they didn’t matter, racism and sexism and misogyny wouldn’t be a thing. Martine Kei Green- Rogers is an associate professor at SUNY New Paltz, the fellowship associate at the Playwrights’ Center, past president of the Liter- ary Managers and Dramaturgs of the Americas, and a freelance dramaturg. Her dramaturgical credits include productions with the Louisville Orchestra, Salt Lake Acting Company, Pioneer Th eatre Company, Plan- B Th eatre, the Goodman, Round House Th eatre, Marin Th eatre Company, Court Th eatre, CATCO, and the Oregon Shakespeare Festival. *** Stacey Haslam: First off , I just want you to tell me a little bit about how you got started in the theater world and, more specifi cally, dramaturgy and what drew you to it. And maybe for those people out there who are unsure of what a dramaturg does, describe what that job looks like. Martine Kei Green- Rogers: I got started in dramaturgy as an undergrad. I attended Virginia Wesleyan College (which is now Virginia Wesleyan Uni- versity) as a double major in theater and history. My very astute advisor at the time, Dr. Sally Shedd,

Journal

Frontiers: A Journal of Women StudiesUniversity of Nebraska Press

Published: May 5, 2021

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