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Ingeborg Bachmann: Der dunkle Glanz der Freiheit by Andrea Stoll (review)

Ingeborg Bachmann: Der dunkle Glanz der Freiheit by Andrea Stoll (review) JOURNAL OF AUSTRIAN STUDIES 47:4 life based on rumors and leaks about the content of the "real" theatrical piece. Borrowing a well-turned phrase from Wendelin Schmidt-Dengler, he concludes: "Und dieses Stück hat es geschafft, Österreich `zur Kenntlichkeit zu entstellen', ein ganzes Land eine Art Pesiflage seiner selbst vorführen zu lassen" (119). Along with a majority of critical voices, Huber maintains that the lasting impact of Bernhard's theatrical piece together with its pre-performance scandal was to awaken his countrymen to a question of the second Austrian guilt--the postwar repression of the original sin of National Socialism. The other five interpretative studies focus on close re-readings of Bernhard's texts. They rely on allusions to literary predecessors or contemporaries and/or novel theoretical approaches to build persuasive arguments. Paola Bozzi, for example, maintains that the short prose piece "Viktor Halbnarr: Ein Wintermärchen" reveals an underlying mocking attitude toward Goethe's Faust. He convincingly assigns "Faustian" roles to each of the story's characters and bolsters his reading with reference to further examples of mocking reference to Goethe; Murau in Auslöschung, for example: "Faust, [. . .] was für ein Größenwahnsinn! Der total missglückte Versuch eines schreibenden Größenwahnsinnigen" (44). Christine Kanz develops substantial plausibility for http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of Austrian Studies University of Nebraska Press

Ingeborg Bachmann: Der dunkle Glanz der Freiheit by Andrea Stoll (review)

Journal of Austrian Studies , Volume 47 (4) – Nov 27, 2014

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Publisher
University of Nebraska Press
Copyright
© Austrian Studies Association
ISSN
2165-669X
Publisher site
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Abstract

JOURNAL OF AUSTRIAN STUDIES 47:4 life based on rumors and leaks about the content of the "real" theatrical piece. Borrowing a well-turned phrase from Wendelin Schmidt-Dengler, he concludes: "Und dieses Stück hat es geschafft, Österreich `zur Kenntlichkeit zu entstellen', ein ganzes Land eine Art Pesiflage seiner selbst vorführen zu lassen" (119). Along with a majority of critical voices, Huber maintains that the lasting impact of Bernhard's theatrical piece together with its pre-performance scandal was to awaken his countrymen to a question of the second Austrian guilt--the postwar repression of the original sin of National Socialism. The other five interpretative studies focus on close re-readings of Bernhard's texts. They rely on allusions to literary predecessors or contemporaries and/or novel theoretical approaches to build persuasive arguments. Paola Bozzi, for example, maintains that the short prose piece "Viktor Halbnarr: Ein Wintermärchen" reveals an underlying mocking attitude toward Goethe's Faust. He convincingly assigns "Faustian" roles to each of the story's characters and bolsters his reading with reference to further examples of mocking reference to Goethe; Murau in Auslöschung, for example: "Faust, [. . .] was für ein Größenwahnsinn! Der total missglückte Versuch eines schreibenden Größenwahnsinnigen" (44). Christine Kanz develops substantial plausibility for

Journal

Journal of Austrian StudiesUniversity of Nebraska Press

Published: Nov 27, 2014

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