How to Read Italian Renaissance Painting

How to Read Italian Renaissance Painting 32 Burns did. I expected the line from a frightened prizefighter, but an English sea captain? He should be more principled. Especially after I offered $4,000 for each ticket. Of course, that color line kept me from fighting our way onto a lifeboat after that iceberg. That is a fight you can bet your last copper I would have won. Even after all the offense I suffered & the indignity of being refused passage, I would never dance the Eagle Rock after all those people drowned. Martha Silano Pay attention to cryptic grapes, wandering aimless skulls, a robed apostle's vortex of red. Pay attention to luminous gloom, to the attention paid to each fold, each leaf, each angel's blue-tipped wing, to every look of beseeching dismay. Notice uneasy clouds to the right, uncertain urns to the left. Notice theatrical expressions, God diving in to shatter 33 the silence in Mary's room. Notice shudders everywhere. Take these to mean the master is a master of worry. When they say human figure, think naked man, sometimes with pubic hair, sometimes not--flawlessness like Jack LaLanne with a scruffy beard. When they say reclining nude, think woman with a body like soft http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Prairie Schooner University of Nebraska Press

How to Read Italian Renaissance Painting

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Publisher
University of Nebraska Press
Copyright
Copyright © 2008 the University of Nebraska Press.
ISSN
1542-426X
Publisher site
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Abstract

32 Burns did. I expected the line from a frightened prizefighter, but an English sea captain? He should be more principled. Especially after I offered $4,000 for each ticket. Of course, that color line kept me from fighting our way onto a lifeboat after that iceberg. That is a fight you can bet your last copper I would have won. Even after all the offense I suffered & the indignity of being refused passage, I would never dance the Eagle Rock after all those people drowned. Martha Silano Pay attention to cryptic grapes, wandering aimless skulls, a robed apostle's vortex of red. Pay attention to luminous gloom, to the attention paid to each fold, each leaf, each angel's blue-tipped wing, to every look of beseeching dismay. Notice uneasy clouds to the right, uncertain urns to the left. Notice theatrical expressions, God diving in to shatter 33 the silence in Mary's room. Notice shudders everywhere. Take these to mean the master is a master of worry. When they say human figure, think naked man, sometimes with pubic hair, sometimes not--flawlessness like Jack LaLanne with a scruffy beard. When they say reclining nude, think woman with a body like soft

Journal

Prairie SchoonerUniversity of Nebraska Press

Published: Apr 11, 2012

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