Cynthia Cruz Fragment: After Ida In the black and white Polish ï¬lm in which the beautiful local plays the nun. In Warsaw, she meets her aunt, once powerful, now alcoholic, who directs her to her true past. I am struggling with understanding unsure which past is mine. In the ï¬lm in the scene where the actress wears her dead auntâs dresses and heels after the aunt has killed herself. I am inside that moment, the split in the seam in which almost anything can happen. When she drinks the liquor the world falls opens, as when she hears the music playing rooms away. I donât know what future or past, or whose ï¬lm role I should step into. I only know the body is not what I thought. And the mind is just a dumb machine that makes small traces. In the ï¬lm in the scene in which the actress returns to the convent and the camera pulls away. There is a rip, a mar, an error that occurs, but only oâ screen. That break, that space between, is the moment when it all begins. Felt Dresden is halfway to Prague and Prague is halfway to Kiev. But
Prairie Schooner – University of Nebraska Press
Published: Aug 9, 2017
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