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<p>Abstract:</p><p>Zolaâs <i>La Curée</i> is a novel famously dominated by visual themes (fashion, architecture, ostentation, myopia). This study turns <i>La Curée</i> on its ear and interrogates what has heretofore received little critical noticeâthe novelâs aural poetics. In his portrayal of Renée Saccard as a failed listener, Zola engages nineteenth-century theories of the neurogenic origin of language and anticipates later insights about the socially conditioned nature of aural interpretation. Renéeâs failure as an interpreter of verbal cues problematizes the notion of auditory transparency and suggests that the visual construct of the <i>écran réaliste</i> in Zolaâs aesthetics can be reimagined as another membrane through which language is mediatedâthe eardrum.</p>
Nineteenth-Century French Studies – University of Nebraska Press
Published: Apr 19, 2019
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