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/lp/university-of-nebraska-press/digital-index-control-poetics-in-die-maschine-Yn1xndLSPV
- Publisher
- University of Nebraska Press
- Copyright
- Copyright © symploke
- ISSN
- 1534-0627
Abstract
DIGITAL INDEX: CONTROL POETICS IN DIE MASCHINE MARC KOHLBRY Mankind is beginning to understand how to dismantle and reassemble the most complex and unpredictable of all its machines: language. —Italo Calvino (1997, 10) Unfathomable mind, now beacon, now sea. —Samuel Beckett (2009, 110) Is poetry computable? Can a computer poetize? These questions, in addition to being contemporary to debates in the digital (or computational) humanities, were once central to a context in which computers were hardly ubiquitous—that of the postwar French avant-garde. In the years following World War II, and in parallel with developments in cybernetics, computer science, and other fi elds interested in so-called information technologies, a handful of French writers were using their artistic practice to explore the borderlands between the human mind and machines. Among these was cele- brated novelist Georges Perec, whose 1968 radio play Die Maschine explicitly poses the question of poetry’s computability. Written between 1967 and 1968 and fi rst broadcast on November 13, 1968, the machine’s preamble claims a singular goal: that of discovering the “inner mechanism,” or essence, of poetry. In its efforts to do so, Perec’s Maschine executes a series of “proto- cols,” each taking a different approach to dismantling
Journal
symploke – University of Nebraska Press
Published: Nov 24, 2020
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