Contributors

Contributors Joseph J. Hemmer, Jr., is professor of communication at Carroll College, Waukesha, Wisconsin. Julie Anne Sweet is an associate professor of history at Baylor University and is the author of Negotiating for Georgia: British-Creek Relations in the Trustee Era, 1733­1752 (2005) as well as several articles about colonial Georgia for the Georgia Historical Quarterly. Lisa K. Neuman is assistant professor of anthropology and Native American studies at the University of Maine. Housed in the Native American studies program, she writes about Native education, the politics of Native identity, cultural production, tribal sovereignty, and tribal economic enterprise. Bill Anthes is assistant professor of art history at Pitzer College in Claremont, California. He has been a visiting scholar at the Georgia O'Keeffe Museum Research Center, a fellow in the Center for the Arts in Society at Carnegie Mellon University, and a Rockefeller Fellow in Theorizing Cultural Heritage at the Smithsonian Institution Center for Folklife and Cultural Heritage. He is the author of Native Moderns: American Indian Painting, 1940­1960 (2006). http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The American Indian Quarterly University of Nebraska Press

Contributors

The American Indian Quarterly, Volume 32 (2) – Mar 18, 2008

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Publisher
University of Nebraska Press
Copyright
Copyright © 2008 The University of Nebraska Press. All rights reserved.
ISSN
1534-1828
Publisher site
See Article on Publisher Site

Abstract

Joseph J. Hemmer, Jr., is professor of communication at Carroll College, Waukesha, Wisconsin. Julie Anne Sweet is an associate professor of history at Baylor University and is the author of Negotiating for Georgia: British-Creek Relations in the Trustee Era, 1733­1752 (2005) as well as several articles about colonial Georgia for the Georgia Historical Quarterly. Lisa K. Neuman is assistant professor of anthropology and Native American studies at the University of Maine. Housed in the Native American studies program, she writes about Native education, the politics of Native identity, cultural production, tribal sovereignty, and tribal economic enterprise. Bill Anthes is assistant professor of art history at Pitzer College in Claremont, California. He has been a visiting scholar at the Georgia O'Keeffe Museum Research Center, a fellow in the Center for the Arts in Society at Carnegie Mellon University, and a Rockefeller Fellow in Theorizing Cultural Heritage at the Smithsonian Institution Center for Folklife and Cultural Heritage. He is the author of Native Moderns: American Indian Painting, 1940­1960 (2006).

Journal

The American Indian QuarterlyUniversity of Nebraska Press

Published: Mar 18, 2008

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