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Books Received

Books Received Antoine Berman, Toward a Translation Criticism: John Donne, trans. and ed. Françoise Massardier-Kenney (Kent, OH: Kent State University Press, 2009). William Egginton, The Theater of Truth: The Ideology of (Neo)baroque Aesthetics (Stanford, CA: Stanford University Press, 2010). Paul Gilroy, Darker than Blue: On the Moral Economies of Black Atlantic Culture (Cambridge, MA: Harvard University Press, 2010). Shari Bohn Gmelch, The Tlingit Encounter with Photography (Philadelphia: University of Pennsylvania Press, 2008). Wendy Grossman, Man Ray, African Art, and the Modernist Lens (Minneapolis: University of Minnesota Press, 2009). Shari M. Huhndorf, Mapping the Americas: The Transnational Politics of Contemporary Native Culture (Ithaca, NY: Cornell University Press, 2009). Tony Jackson, Technology of the Novel: Writing and Narrative in British Fiction (Baltimore: Johns Hopkins University Press, 2009). Doris Y. Kadish and Françoise Massardier-Kenney, eds., Translating Slavery, vol. 1: Gender and Race in French Women's Writing, 1783­ 1823 (Kent, OH: Kent State University Press, 2009). Kevin Laland, The Question of Animal Culture (Cambridge, MA: Harvard University Press, 2009). Joanna Levin, Bohemia in America, 1858­1920 (Stanford, CA: Stanford University Press, 2009). Adi Ophir, Michal Givoni, and Sari Hanafi, eds., The Power of Inclusive Exclusion: Anatomy of Israeli Rule in the Occupied Palestinian Territories (New http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Qui Parle: Critical Humanities and Social Sciences University of Nebraska Press

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Publisher
University of Nebraska Press
Copyright
Copyright © University of Nebraska Press
ISSN
1938-8020
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Abstract

Antoine Berman, Toward a Translation Criticism: John Donne, trans. and ed. Françoise Massardier-Kenney (Kent, OH: Kent State University Press, 2009). William Egginton, The Theater of Truth: The Ideology of (Neo)baroque Aesthetics (Stanford, CA: Stanford University Press, 2010). Paul Gilroy, Darker than Blue: On the Moral Economies of Black Atlantic Culture (Cambridge, MA: Harvard University Press, 2010). Shari Bohn Gmelch, The Tlingit Encounter with Photography (Philadelphia: University of Pennsylvania Press, 2008). Wendy Grossman, Man Ray, African Art, and the Modernist Lens (Minneapolis: University of Minnesota Press, 2009). Shari M. Huhndorf, Mapping the Americas: The Transnational Politics of Contemporary Native Culture (Ithaca, NY: Cornell University Press, 2009). Tony Jackson, Technology of the Novel: Writing and Narrative in British Fiction (Baltimore: Johns Hopkins University Press, 2009). Doris Y. Kadish and Françoise Massardier-Kenney, eds., Translating Slavery, vol. 1: Gender and Race in French Women's Writing, 1783­ 1823 (Kent, OH: Kent State University Press, 2009). Kevin Laland, The Question of Animal Culture (Cambridge, MA: Harvard University Press, 2009). Joanna Levin, Bohemia in America, 1858­1920 (Stanford, CA: Stanford University Press, 2009). Adi Ophir, Michal Givoni, and Sari Hanafi, eds., The Power of Inclusive Exclusion: Anatomy of Israeli Rule in the Occupied Palestinian Territories (New

Journal

Qui Parle: Critical Humanities and Social SciencesUniversity of Nebraska Press

Published: May 21, 2010

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