Unencumbered Exuberance: Four Jewish Comic Novelists of Note

Unencumbered Exuberance: Four Jewish Comic Novelists of Note B O O K S Unencumbered Exuberance: Four Jewish Comic Novelists of Note Bradley Babendir After Claude by Iris Owens. NYRB Classics (reprint), 2, 2 010 2 p 3 p., $. 41 , 59 paper. The Puttermesser Papers by Cynthia Ozick. Vintage, 18 ( 99 reprint), 26 p 5 p., ,51$ paper. After Birth by Elisa Albert. Mariner Books (reprint), 2, 2 610 8 p 0 p., $. 41 , 59 paper. kaddish.com by Nathan Englander. Knopf, 2, 2 910 24 pp., $2. 4 , ha 59 rdcover. If your enemy is laughing, how can he bludgeon you to death? —Mel Brooks In the titular essay of Adam Kirsch’s essay collection Who Wants to Be a Jewish Writer? the critic and poet recounts the ways in which many of his and my canonical forebears rejected the moniker. He quotes Philip Roth referring to “American Jewish Writer” as an epithet. Saul Bellow was slightly more diplomatic, saying, “I have tried to t fi my soul into the Jewish-writer category, but it does not feel comfortably accommodated there.” Lionel Trilling couldn’t find “anything in [his] professional intel - lectual life” that traced back to his Judaism. 176 THE MIS SOURI RE http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Missouri Review University of Missouri

Unencumbered Exuberance: Four Jewish Comic Novelists of Note

The Missouri Review, Volume 42 (4) – Jan 16, 2020

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Publisher
University of Missouri
Copyright
Copyright © The Curators of the University of Missouri.
ISSN
1548-9930

Abstract

B O O K S Unencumbered Exuberance: Four Jewish Comic Novelists of Note Bradley Babendir After Claude by Iris Owens. NYRB Classics (reprint), 2, 2 010 2 p 3 p., $. 41 , 59 paper. The Puttermesser Papers by Cynthia Ozick. Vintage, 18 ( 99 reprint), 26 p 5 p., ,51$ paper. After Birth by Elisa Albert. Mariner Books (reprint), 2, 2 610 8 p 0 p., $. 41 , 59 paper. kaddish.com by Nathan Englander. Knopf, 2, 2 910 24 pp., $2. 4 , ha 59 rdcover. If your enemy is laughing, how can he bludgeon you to death? —Mel Brooks In the titular essay of Adam Kirsch’s essay collection Who Wants to Be a Jewish Writer? the critic and poet recounts the ways in which many of his and my canonical forebears rejected the moniker. He quotes Philip Roth referring to “American Jewish Writer” as an epithet. Saul Bellow was slightly more diplomatic, saying, “I have tried to t fi my soul into the Jewish-writer category, but it does not feel comfortably accommodated there.” Lionel Trilling couldn’t find “anything in [his] professional intel - lectual life” that traced back to his Judaism. 176 THE MIS SOURI RE

Journal

The Missouri ReviewUniversity of Missouri

Published: Jan 16, 2020

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