How I See Things, and: Too Pretty for Serious Business

How I See Things, and: Too Pretty for Serious Business HOW I SEE THINGS / Yusef Komunyakaa I hear you were sprawled on the cover of Newsweek with freedom marchers, those years when blood tinted the photographs, when fire leaped into the trees. Negatives of nightriders develop in the brain. The Strawberry Festival Queen waves her silk handkerchief, executing a fancy high kick flashback through the heart. Pickups with plastic Jesuses on dashboards head for hoedowns. Men run twelve miles into wet cypress swinging bellropes. Ignis fatuus can't be blamed for the charred Johnson grass. Have we earned the right to forget, forgive ropes for holding to moonstruck branches? Every last stolen whisper the hoot owl echoes turns leaves scarlet. Hush shakes the monkeypod til pink petal-tongues fall. You're home in New York. I'm back here in Bogalusa with one foot in pine woods. The mockingbird's blue note sounds to me like please, please. A beaten song threaded through the skull 120 ¦ The Missouri Review by crosshairs. Black hands still turn bloodred working the strawberry fields. Yusef Komunyakaa The Missouri Review · 121 TOO PRETTY FOR SERIOUS BUSINESS / Yusef Komunyakaa Moonlight on antebellum skin-- how he has her laid out in his mind, wanting her to http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Missouri Review University of Missouri

How I See Things, and: Too Pretty for Serious Business

The Missouri Review, Volume 9 (1) – Oct 5, 1985

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Publisher
University of Missouri
Copyright
Copyright © The Curators of the University of Missouri.
ISSN
1548-9930
Publisher site
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Abstract

HOW I SEE THINGS / Yusef Komunyakaa I hear you were sprawled on the cover of Newsweek with freedom marchers, those years when blood tinted the photographs, when fire leaped into the trees. Negatives of nightriders develop in the brain. The Strawberry Festival Queen waves her silk handkerchief, executing a fancy high kick flashback through the heart. Pickups with plastic Jesuses on dashboards head for hoedowns. Men run twelve miles into wet cypress swinging bellropes. Ignis fatuus can't be blamed for the charred Johnson grass. Have we earned the right to forget, forgive ropes for holding to moonstruck branches? Every last stolen whisper the hoot owl echoes turns leaves scarlet. Hush shakes the monkeypod til pink petal-tongues fall. You're home in New York. I'm back here in Bogalusa with one foot in pine woods. The mockingbird's blue note sounds to me like please, please. A beaten song threaded through the skull 120 ¦ The Missouri Review by crosshairs. Black hands still turn bloodred working the strawberry fields. Yusef Komunyakaa The Missouri Review · 121 TOO PRETTY FOR SERIOUS BUSINESS / Yusef Komunyakaa Moonlight on antebellum skin-- how he has her laid out in his mind, wanting her to

Journal

The Missouri ReviewUniversity of Missouri

Published: Oct 5, 1985

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