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The Wonders of Editing: An Interview with Mathilde Bonnefoy and Tom Tykwer

The Wonders of Editing: An Interview with Mathilde Bonnefoy and Tom Tykwer The Wonders of Editing: An Interview with Mathilde Bonnefoy and Tom Tykwer elaine roth and heather addison editor m athil de bonnefoy and direc tor an editing assistant and one of the first people tom t y k wer have collaborated for more than in the city to learn the AVID editing system. The a decade on films such as Run Lola Run (1998), two quickly joined forces for the breakthrough Heaven (2002), and The International (2009). hit Run Lola Run. Tykwer had already shot two Their artistic relationship has been defined and features as a director, and in Bonnefoy he enriched by their respective backgrounds: Bon- found a partner with whom his artistic per- nefoy is a native of France who moved to Berlin spective and working methods were in sync. soon after the fall of the Berlin Wall, and Tykwer They were drawn to projects that challenge was born and raised in Wuppertal, Germany. audiences to imagine alternate realities, from Both speak multiple languages: Bonnefoy is a central narrative that plays again and again fluent in French, German, and English; Tykwer until it reaches a satisfactory conclusion (Run is fluent in German and English; and both have http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of Film and Video University of Illinois Press

The Wonders of Editing: An Interview with Mathilde Bonnefoy and Tom Tykwer

Roth, Elaine.; Addison, Heather.
Journal of Film and Video , Volume 63 (2) – Sep 22, 2011
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Publisher
University of Illinois Press
Copyright
Copyright © 2008 The Board of Trustees of the University of Illinois.
ISSN
1934-6018

Abstract

The Wonders of Editing: An Interview with Mathilde Bonnefoy and Tom Tykwer elaine roth and heather addison editor m athil de bonnefoy and direc tor an editing assistant and one of the first people tom t y k wer have collaborated for more than in the city to learn the AVID editing system. The a decade on films such as Run Lola Run (1998), two quickly joined forces for the breakthrough Heaven (2002), and The International (2009). hit Run Lola Run. Tykwer had already shot two Their artistic relationship has been defined and features as a director, and in Bonnefoy he enriched by their respective backgrounds: Bon- found a partner with whom his artistic per- nefoy is a native of France who moved to Berlin spective and working methods were in sync. soon after the fall of the Berlin Wall, and Tykwer They were drawn to projects that challenge was born and raised in Wuppertal, Germany. audiences to imagine alternate realities, from Both speak multiple languages: Bonnefoy is a central narrative that plays again and again fluent in French, German, and English; Tykwer until it reaches a satisfactory conclusion (Run is fluent in German and English; and both have

Journal

Journal of Film and Video – University of Illinois Press

Published: Sep 22, 2011

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