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Index to Volume 66

Index to Volume 66 Aufderheide, Patricia. Rev. of Learning with the Lights Marquis, Elizabeth. “An Individualist, Just Like the Off: Educational Films in the United States, ed­ Rest of Us: The Performance of Hegemonic Mas­ ited by Devin Orgeron, Marsha Orgeron, and Dan culinities in ‘The Case of Milo Radulovich’.” 66.1 Streible. 66.2 (Summer 2014): 43–44. (Spring 2014): 39–51. Balcerzak, Scott. “The Cinephilic Pleasures of DVD Martin, Carey. Rev. of Fantasy, by Jacqueline Furby Commentary: Watching The Passenger (1975) with and Claire Hines. 66.3 (Fall 2014): 59–60. Jack Nicholson.” 66.1 (Spring 2014): 21–38. Mateer, John. “Digital Cinematography: Evolution of Beverly, Danielle. Rev. of D.A. Pennebaker, by Keith Craft or Revolution in Production?” 66.2 (Summer Beattie. 66.2 (Summer 2014): 45–46. 2014): 3–14. Block, Mitchell W. Rev. of Ready, Steady, Shoot: The Meyer, Andrea. Rev. of Mike Leigh, by Sean O’Sullivan. Guide to Great Home Video, by Roger Sherman. 66.2 (Summer 2014): 51–53. 66.2 (Summer 2014): 47–48. Petersen, Anne Helen. “When Her Pictures Got Small: Boyda, James. Rev. of Queer Film Classics Film Book Gloria Swanson, Glamour, and Postwar Stardom.” Series. 66.2 (Summer 2014): 48–50. 66.1 (Spring 2014): 3–20. Brown, Joseph V. Rev. of Practical Moviemaking: A Racioppi, Linda, and Colleen Tremonte. “Geopolitics, Handbook for the Real World, by Joe Wallenstein. Gender, and Genre: The Work of Pre­ Title/Title 66.2 (Summer 2014): 50–51. Sequences in James Bond Films.” 66.2 (Summer Davies, Lyell. Rev. of Producing Bollywood: Inside 2014): 15–25. the Contemporary Hindi Film Industry, by Tejaswini Ransom, Amy J. “Bollywood Goes to the Stadium: Ganti. 66. 2 (Summer 2014): 56–57. Gender, National Identity and Sport Film in Hindi.” Davis, Julie. Rev. of Wenhua Shi’s Lightcoder. 66.3 66.4 (Winter 2014): 34–49. (Fall 2014): 63–64. Ross, Deborah. “Miyazaki’s Little Mermaid: A Goldfish Davis, Roció G. “Documentary Constructions of Filial Out of Water.” 66.3 (Fall 2014): 18–30. Memory in Nathaniel Kahn’s My Architect and Nico­ Samanci, Õzge. Rev. of That’s All Folks? EcoCritical lás Entel’s My Father, Pablo Escobar. 66.1 (Spring Readings of American Animated Features, by Robin 2014): 52–61. L. Murray and Joseph K. Heumann. 66.3 (Fall 2014): Dowling, David. “‘Revenge Upon a Dumb Brute’: Cast­ 57–59. ing the Whale in Film Adaptations of Moby-Dick.” Sternlieb, Lisa. “‘You Must Remember This’: The Lives 66.4 (Winter 2014): 50–63. of Others and the Cinematic Imagination.” 66.2 Ebrahim, Haseenah. “Are the ‘Boys’ at Pixar Afraid of (Summer 2014): 26–42. Little Girls?” 66.3 (Fall 2014): 43–56. Tremonte, Colleen, and Linda Racioppi. “Geopolitics, Erb, Cynthia. “A Spiritual Blockbuster: Avatar, Envi­ Gender, and Genre: The Work of Pre­ Title/Title ronmentalism, and the New Religions.” 66.3 (Fall Sequences in James Bond Films.” 66.2 (Summer 2014): 3–17. 2014): 15–25. Glick, Josh. Rev. of Hollywood Left and Right: How Williams, Chriss. Rev. of How to Shoot Video That Movie Stars Shaped American Politics, by Steven J. Doesn’t Suck, by Steve Stockman. 66.3 (Fall 2014): Ross. 66.2 (Summer 2014): 53–55. 60–62. Hagin, Boaz, and Roy Wagner. “The Occupation­ Image: Wood, Aylish. “Contests and Simulations: Tron: A Deleuzian Analysis of Videos from the Israel Occu­ Legacy’s Connections with Technologies.” 66.3 (Fall pation of Palestine.” 66.4 (Winter 2014): 19–33. 2014): 31–42. Hefner, Brooks E. “Milland Alone: The End of the Sys­ tem, Post­ Studio Stardom, and the Total Auteur.” 66.4 (Winter 2014): 3–18. 64 journal of film and video 66.4 / winter 2014 ©2014 by the board of trustees of the university of illinois JFV 66_4 text.indd 64 10/7/14 10:07 AM http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of Film and Video University of Illinois Press

Index to Volume 66

Journal of Film and Video , Volume 66 (4) – Nov 27, 2014
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1934-6018

Abstract

Aufderheide, Patricia. Rev. of Learning with the Lights Marquis, Elizabeth. “An Individualist, Just Like the Off: Educational Films in the United States, ed­ Rest of Us: The Performance of Hegemonic Mas­ ited by Devin Orgeron, Marsha Orgeron, and Dan culinities in ‘The Case of Milo Radulovich’.” 66.1 Streible. 66.2 (Summer 2014): 43–44. (Spring 2014): 39–51. Balcerzak, Scott. “The Cinephilic Pleasures of DVD Martin, Carey. Rev. of Fantasy, by Jacqueline Furby Commentary: Watching The Passenger (1975) with and Claire Hines. 66.3 (Fall 2014): 59–60. Jack Nicholson.” 66.1 (Spring 2014): 21–38. Mateer, John. “Digital Cinematography: Evolution of Beverly, Danielle. Rev. of D.A. Pennebaker, by Keith Craft or Revolution in Production?” 66.2 (Summer Beattie. 66.2 (Summer 2014): 45–46. 2014): 3–14. Block, Mitchell W. Rev. of Ready, Steady, Shoot: The Meyer, Andrea. Rev. of Mike Leigh, by Sean O’Sullivan. Guide to Great Home Video, by Roger Sherman. 66.2 (Summer 2014): 51–53. 66.2 (Summer 2014): 47–48. Petersen, Anne Helen. “When Her Pictures Got Small: Boyda, James. Rev. of Queer Film Classics Film Book Gloria Swanson, Glamour, and Postwar Stardom.” Series. 66.2 (Summer 2014): 48–50. 66.1 (Spring 2014): 3–20. Brown, Joseph V. Rev. of Practical Moviemaking: A Racioppi, Linda, and Colleen Tremonte. “Geopolitics, Handbook for the Real World, by Joe Wallenstein. Gender, and Genre: The Work of Pre­ Title/Title 66.2 (Summer 2014): 50–51. Sequences in James Bond Films.” 66.2 (Summer Davies, Lyell. Rev. of Producing Bollywood: Inside 2014): 15–25. the Contemporary Hindi Film Industry, by Tejaswini Ransom, Amy J. “Bollywood Goes to the Stadium: Ganti. 66. 2 (Summer 2014): 56–57. Gender, National Identity and Sport Film in Hindi.” Davis, Julie. Rev. of Wenhua Shi’s Lightcoder. 66.3 66.4 (Winter 2014): 34–49. (Fall 2014): 63–64. Ross, Deborah. “Miyazaki’s Little Mermaid: A Goldfish Davis, Roció G. “Documentary Constructions of Filial Out of Water.” 66.3 (Fall 2014): 18–30. Memory in Nathaniel Kahn’s My Architect and Nico­ Samanci, Õzge. Rev. of That’s All Folks? EcoCritical lás Entel’s My Father, Pablo Escobar. 66.1 (Spring Readings of American Animated Features, by Robin 2014): 52–61. L. Murray and Joseph K. Heumann. 66.3 (Fall 2014): Dowling, David. “‘Revenge Upon a Dumb Brute’: Cast­ 57–59. ing the Whale in Film Adaptations of Moby-Dick.” Sternlieb, Lisa. “‘You Must Remember This’: The Lives 66.4 (Winter 2014): 50–63. of Others and the Cinematic Imagination.” 66.2 Ebrahim, Haseenah. “Are the ‘Boys’ at Pixar Afraid of (Summer 2014): 26–42. Little Girls?” 66.3 (Fall 2014): 43–56. Tremonte, Colleen, and Linda Racioppi. “Geopolitics, Erb, Cynthia. “A Spiritual Blockbuster: Avatar, Envi­ Gender, and Genre: The Work of Pre­ Title/Title ronmentalism, and the New Religions.” 66.3 (Fall Sequences in James Bond Films.” 66.2 (Summer 2014): 3–17. 2014): 15–25. Glick, Josh. Rev. of Hollywood Left and Right: How Williams, Chriss. Rev. of How to Shoot Video That Movie Stars Shaped American Politics, by Steven J. Doesn’t Suck, by Steve Stockman. 66.3 (Fall 2014): Ross. 66.2 (Summer 2014): 53–55. 60–62. Hagin, Boaz, and Roy Wagner. “The Occupation­ Image: Wood, Aylish. “Contests and Simulations: Tron: A Deleuzian Analysis of Videos from the Israel Occu­ Legacy’s Connections with Technologies.” 66.3 (Fall pation of Palestine.” 66.4 (Winter 2014): 19–33. 2014): 31–42. Hefner, Brooks E. “Milland Alone: The End of the Sys­ tem, Post­ Studio Stardom, and the Total Auteur.” 66.4 (Winter 2014): 3–18. 64 journal of film and video 66.4 / winter 2014 ©2014 by the board of trustees of the university of illinois JFV 66_4 text.indd 64 10/7/14 10:07 AM

Journal

Journal of Film and Video – University of Illinois Press

Published: Nov 27, 2014

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