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Index to Volume 66

Index to Volume 66 Aufderheide, Patricia. Rev. of Learning with the Lights Off: Educational Films in the United States, ed ited by Devin Orgeron, Marsha Orgeron, and Dan Streible. 66.2 (Summer 2014): 43­44. Balcerzak, Scott. "The Cinephilic Pleasures of DVD Commentary: Watching The Passenger (1975) with Jack Nicholson." 66.1 (Spring 2014): 21­38. Beverly, Danielle. Rev. of D.A. Pennebaker, by Keith Beattie. 66.2 (Summer 2014): 45­46. Block, Mitchell W. Rev. of Ready, Steady, Shoot: The Guide to Great Home Video, by Roger Sherman. 66.2 (Summer 2014): 47­48. Boyda, James. Rev. of Queer Film Classics Film Book Series. 66.2 (Summer 2014): 48­50. Brown, Joseph V. Rev. of Practical Moviemaking: A Handbook for the Real World, by Joe Wallenstein. 66.2 (Summer 2014): 50­51. Davies, Lyell. Rev. of Producing Bollywood: Inside the Contemporary Hindi Film Industry, by Tejaswini Ganti. 66. 2 (Summer 2014): 56­57. Davis, Julie. Rev. of Wenhua Shi's Lightcoder. 66.3 (Fall 2014): 63­64. Davis, Roció G. "Documentary Constructions of Filial Memory in Nathaniel Kahn's My Architect and Nico lás Entel's My Father, Pablo Escobar. 66.1 (Spring 2014): 52­61. Dowling, David. "`Revenge Upon a Dumb Brute': Cast ing the Whale in Film Adaptations of Moby-Dick." 66.4 (Winter 2014): 50­63. Ebrahim, Haseenah. "Are the `Boys' at Pixar Afraid of Little Girls?" 66.3 (Fall 2014): 43­56. Erb, Cynthia. "A Spiritual Blockbuster: Avatar, Envi ronmentalism, and the New Religions." 66.3 (Fall 2014): 3­17. Glick, Josh. Rev. of Hollywood Left and Right: How Movie Stars Shaped American Politics, by Steven J. Ross. 66.2 (Summer 2014): 53­55. Hagin, Boaz, and Roy Wagner. "The OccupationImage: A Deleuzian Analysis of Videos from the Israel Occu pation of Palestine." 66.4 (Winter 2014): 19­33. Hefner, Brooks E. "Milland Alone: The End of the Sys tem, PostStudio Stardom, and the Total Auteur." 66.4 (Winter 2014): 3­18. Marquis, Elizabeth. "An Individualist, Just Like the Rest of Us: The Performance of Hegemonic Mas culinities in `The Case of Milo Radulovich'." 66.1 (Spring 2014): 39­51. Martin, Carey. Rev. of Fantasy, by Jacqueline Furby and Claire Hines. 66.3 (Fall 2014): 59­60. Mateer, John. "Digital Cinematography: Evolution of Craft or Revolution in Production?" 66.2 (Summer 2014): 3­14. Meyer, Andrea. Rev. of Mike Leigh, by Sean O'Sullivan. 66.2 (Summer 2014): 51­53. Petersen, Anne Helen. "When Her Pictures Got Small: Gloria Swanson, Glamour, and Postwar Stardom." 66.1 (Spring 2014): 3­20. Racioppi, Linda, and Colleen Tremonte. "Geopolitics, Gender, and Genre: The Work of PreTitle/Title Sequences in James Bond Films." 66.2 (Summer 2014): 15­25. Ransom, Amy J. "Bollywood Goes to the Stadium: Gender, National Identity and Sport Film in Hindi." 66.4 (Winter 2014): 34­49. Ross, Deborah. "Miyazaki's Little Mermaid: A Goldfish Out of Water." 66.3 (Fall 2014): 18­30. Samanci, Õzge. Rev. of That's All Folks? EcoCritical Readings of American Animated Features, by Robin L. Murray and Joseph K. Heumann. 66.3 (Fall 2014): 57­59. Sternlieb, Lisa. "`You Must Remember This': The Lives of Others and the Cinematic Imagination." 66.2 (Summer 2014): 26­42. Tremonte, Colleen, and Linda Racioppi. "Geopolitics, Gender, and Genre: The Work of PreTitle/Title Sequences in James Bond Films." 66.2 (Summer 2014): 15­25. Williams, Chriss. Rev. of How to Shoot Video That Doesn't Suck, by Steve Stockman. 66.3 (Fall 2014): 60­62. Wood, Aylish. "Contests and Simulations: Tron: Legacy's Connections with Technologies." 66.3 (Fall 2014): 31­42. journal of film and video 66.4 / winter 2014 ©2014 by the board of trustees of the university of illinois http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of Film and Video University of Illinois Press

Index to Volume 66

Journal of Film and Video , Volume 66 (4) – Nov 27, 2014

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University of Illinois Press
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Copyright © 2008 The Board of Trustees of the University of Illinois.
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1934-6018
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Abstract

Aufderheide, Patricia. Rev. of Learning with the Lights Off: Educational Films in the United States, ed ited by Devin Orgeron, Marsha Orgeron, and Dan Streible. 66.2 (Summer 2014): 43­44. Balcerzak, Scott. "The Cinephilic Pleasures of DVD Commentary: Watching The Passenger (1975) with Jack Nicholson." 66.1 (Spring 2014): 21­38. Beverly, Danielle. Rev. of D.A. Pennebaker, by Keith Beattie. 66.2 (Summer 2014): 45­46. Block, Mitchell W. Rev. of Ready, Steady, Shoot: The Guide to Great Home Video, by Roger Sherman. 66.2 (Summer 2014): 47­48. Boyda, James. Rev. of Queer Film Classics Film Book Series. 66.2 (Summer 2014): 48­50. Brown, Joseph V. Rev. of Practical Moviemaking: A Handbook for the Real World, by Joe Wallenstein. 66.2 (Summer 2014): 50­51. Davies, Lyell. Rev. of Producing Bollywood: Inside the Contemporary Hindi Film Industry, by Tejaswini Ganti. 66. 2 (Summer 2014): 56­57. Davis, Julie. Rev. of Wenhua Shi's Lightcoder. 66.3 (Fall 2014): 63­64. Davis, Roció G. "Documentary Constructions of Filial Memory in Nathaniel Kahn's My Architect and Nico lás Entel's My Father, Pablo Escobar. 66.1 (Spring 2014): 52­61. Dowling, David. "`Revenge Upon a Dumb Brute': Cast ing the Whale in Film Adaptations of Moby-Dick." 66.4 (Winter 2014): 50­63. Ebrahim, Haseenah. "Are the `Boys' at Pixar Afraid of Little Girls?" 66.3 (Fall 2014): 43­56. Erb, Cynthia. "A Spiritual Blockbuster: Avatar, Envi ronmentalism, and the New Religions." 66.3 (Fall 2014): 3­17. Glick, Josh. Rev. of Hollywood Left and Right: How Movie Stars Shaped American Politics, by Steven J. Ross. 66.2 (Summer 2014): 53­55. Hagin, Boaz, and Roy Wagner. "The OccupationImage: A Deleuzian Analysis of Videos from the Israel Occu pation of Palestine." 66.4 (Winter 2014): 19­33. Hefner, Brooks E. "Milland Alone: The End of the Sys tem, PostStudio Stardom, and the Total Auteur." 66.4 (Winter 2014): 3­18. Marquis, Elizabeth. "An Individualist, Just Like the Rest of Us: The Performance of Hegemonic Mas culinities in `The Case of Milo Radulovich'." 66.1 (Spring 2014): 39­51. Martin, Carey. Rev. of Fantasy, by Jacqueline Furby and Claire Hines. 66.3 (Fall 2014): 59­60. Mateer, John. "Digital Cinematography: Evolution of Craft or Revolution in Production?" 66.2 (Summer 2014): 3­14. Meyer, Andrea. Rev. of Mike Leigh, by Sean O'Sullivan. 66.2 (Summer 2014): 51­53. Petersen, Anne Helen. "When Her Pictures Got Small: Gloria Swanson, Glamour, and Postwar Stardom." 66.1 (Spring 2014): 3­20. Racioppi, Linda, and Colleen Tremonte. "Geopolitics, Gender, and Genre: The Work of PreTitle/Title Sequences in James Bond Films." 66.2 (Summer 2014): 15­25. Ransom, Amy J. "Bollywood Goes to the Stadium: Gender, National Identity and Sport Film in Hindi." 66.4 (Winter 2014): 34­49. Ross, Deborah. "Miyazaki's Little Mermaid: A Goldfish Out of Water." 66.3 (Fall 2014): 18­30. Samanci, Õzge. Rev. of That's All Folks? EcoCritical Readings of American Animated Features, by Robin L. Murray and Joseph K. Heumann. 66.3 (Fall 2014): 57­59. Sternlieb, Lisa. "`You Must Remember This': The Lives of Others and the Cinematic Imagination." 66.2 (Summer 2014): 26­42. Tremonte, Colleen, and Linda Racioppi. "Geopolitics, Gender, and Genre: The Work of PreTitle/Title Sequences in James Bond Films." 66.2 (Summer 2014): 15­25. Williams, Chriss. Rev. of How to Shoot Video That Doesn't Suck, by Steve Stockman. 66.3 (Fall 2014): 60­62. Wood, Aylish. "Contests and Simulations: Tron: Legacy's Connections with Technologies." 66.3 (Fall 2014): 31­42. journal of film and video 66.4 / winter 2014 ©2014 by the board of trustees of the university of illinois

Journal

Journal of Film and VideoUniversity of Illinois Press

Published: Nov 27, 2014

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