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Bridges between New German Cinema and Today ’s Generation of Political Filmmakers: An Interview with Michael Verhoeven hans-bernhard moeller michael verhoe ven wa s a member of of today ’s most prominent political German the first wave of the New German Cinema filmmakers. This status was only reinforced by known as the “Young German Cinema” that his 2008 documentary Menschliches Versagen emerged during the second half of the 1960s. [Human Error], in which his research revealed Born in 1938 in Berlin, into a theater and film not only the methodical deprivation of the Jew- director/actor family, he was involved, as an ish minority during the Third Reich but also the actor, in stage and screen projects even as a role German citizens played to profit from it. teenager. He made his debut as a stage director A further politically oriented film with marked in 1962, and in 1966 he married actress Senta comic elements is his Das schreckliche Mäd- Berger, who has played the 1ead in a number chen [ The Nasty Girl], which was nominated of his films; together they founded the Sentana for an Oscar in the Best Foreign Film category Film Production that year. In 1967
Journal of Film and Video – University of Illinois Press
Published: Feb 21, 2010
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