Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

This IS Hawai'i (review)

This IS Hawai'i (review) 214 the contemporary pacific • 24:1 (2012) resentational infelicities and binds of frankness. Like the recent translation the colonial period. For how long will of Chantal Spitz’s Island of Shattered Pacific places remain haunted by the Dreams (2007), Teissier-Landgraf’s specters of colonial representational artful narrative offers a point of entry regimes, either as “detestable” images into the ongoing conversations within that should be opposed or, in a bitter the region discussed above. The novel irony of postcolonial sovereignty, as does not intend for the reader to be ready-made visual tools available to comfortable. At its heart beats the emergent local powers seeking to fos- uncertain and ambiguous rhythms of ter the potent appearances of political many of the insights of the Huffer/ legitimacy and authority? Saura and Fayayd / Regnault volumes. Marie Claude Teissier-Landgraf’s Indecision, fïàapiti, and the terror of Tahiti Beloved and Forbidden is a purgatory—the fear that one might thoroughly enthralling and ultimately never have the paradise of an island wrenching coming-of-age novel. A past undamaged by nor a future free close translation of her celebrated from the specter of double belong- Hutu Painu, Tahiti, racines et déchire- ing—are familiar to Teissier-Land- ments, the novel follows the http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Contemporary Pacific University of Hawai'I Press

This IS Hawai'i (review)

The Contemporary Pacific , Volume 24 (1) – Feb 12, 2012

Loading next page...
 
/lp/university-of-hawai-i-press/this-is-hawai-apos-i-review-RLyDAAe00f

References

References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.

Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 University of Hawai'i Press.
ISSN
1527-9464

Abstract

214 the contemporary pacific • 24:1 (2012) resentational infelicities and binds of frankness. Like the recent translation the colonial period. For how long will of Chantal Spitz’s Island of Shattered Pacific places remain haunted by the Dreams (2007), Teissier-Landgraf’s specters of colonial representational artful narrative offers a point of entry regimes, either as “detestable” images into the ongoing conversations within that should be opposed or, in a bitter the region discussed above. The novel irony of postcolonial sovereignty, as does not intend for the reader to be ready-made visual tools available to comfortable. At its heart beats the emergent local powers seeking to fos- uncertain and ambiguous rhythms of ter the potent appearances of political many of the insights of the Huffer/ legitimacy and authority? Saura and Fayayd / Regnault volumes. Marie Claude Teissier-Landgraf’s Indecision, fïàapiti, and the terror of Tahiti Beloved and Forbidden is a purgatory—the fear that one might thoroughly enthralling and ultimately never have the paradise of an island wrenching coming-of-age novel. A past undamaged by nor a future free close translation of her celebrated from the specter of double belong- Hutu Painu, Tahiti, racines et déchire- ing—are familiar to Teissier-Land- ments, the novel follows the

Journal

The Contemporary PacificUniversity of Hawai'I Press

Published: Feb 12, 2012

There are no references for this article.