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The Shadow Puppet Theatre of Malaysia: A Study of Wayang Kulit with Performance Scripts and Puppet Designs (review)

The Shadow Puppet Theatre of Malaysia: A Study of Wayang Kulit with Performance Scripts and... as launching points for their own research. A Beggar's Art: Scripting Modernity in Japanese Drama, 1900­1930 is an essential read for anyone interested in modernism, modernity in theatre, or Japanese dramatic literature. David Jortner Baylor University REFERENCES Goodman, David. 1986. Japanese Drama and Culture in the 1960s: The Return of the Gods. Armonk, NY: M. E. Sharpe. -. 1988. After Apocalypse: Four Japanese Plays of Hiroshima and Nagasaki. New York: Columbia University Press. -, ed. 1995 [1989]. Five Plays by Kishida Kunio. Cornell East Asia Papers 51. Ithaca, NY: Cornell University East Asia Program. Ortolani, Benito. 1995. The Japanese Theatre: From Shamanic Ritual to Contemporary Pluralism. Princton, NJ: Princeton Univ. Press. Powell, Brian. 2002. Japan's Modern Theatre: A Century of Change and Continuity. London: Japan Library, Taylor and Frances. Rimer, J. Thomas. 1974. Toward a Modern Japanese Theatre: Kishida Kunio. Princeton, NJ: Princeton University Press. THE SHADOW PUPPET THEATRE OF MALAYSIA: A STUDY OF WAYANG KULIT WITH PERFORMANCE SCRIPTS AND PUPPET DESIGNS. By Beth Osnes. Jefferson, NC: McFarland & Company, 2010. 204 pp. Paper, $55. Beth Osnes's The Shadow Puppet Theatre of Malaysia provides a detailed introduction to this lively, lesser-known genre of puppet performance. She draws from http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

The Shadow Puppet Theatre of Malaysia: A Study of Wayang Kulit with Performance Scripts and Puppet Designs (review)

Asian Theatre Journal , Volume 29 (1) – Jul 11, 2012

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 The University of Hawai'i Press.
ISSN
1527-2109
Publisher site
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Abstract

as launching points for their own research. A Beggar's Art: Scripting Modernity in Japanese Drama, 1900­1930 is an essential read for anyone interested in modernism, modernity in theatre, or Japanese dramatic literature. David Jortner Baylor University REFERENCES Goodman, David. 1986. Japanese Drama and Culture in the 1960s: The Return of the Gods. Armonk, NY: M. E. Sharpe. -. 1988. After Apocalypse: Four Japanese Plays of Hiroshima and Nagasaki. New York: Columbia University Press. -, ed. 1995 [1989]. Five Plays by Kishida Kunio. Cornell East Asia Papers 51. Ithaca, NY: Cornell University East Asia Program. Ortolani, Benito. 1995. The Japanese Theatre: From Shamanic Ritual to Contemporary Pluralism. Princton, NJ: Princeton Univ. Press. Powell, Brian. 2002. Japan's Modern Theatre: A Century of Change and Continuity. London: Japan Library, Taylor and Frances. Rimer, J. Thomas. 1974. Toward a Modern Japanese Theatre: Kishida Kunio. Princeton, NJ: Princeton University Press. THE SHADOW PUPPET THEATRE OF MALAYSIA: A STUDY OF WAYANG KULIT WITH PERFORMANCE SCRIPTS AND PUPPET DESIGNS. By Beth Osnes. Jefferson, NC: McFarland & Company, 2010. 204 pp. Paper, $55. Beth Osnes's The Shadow Puppet Theatre of Malaysia provides a detailed introduction to this lively, lesser-known genre of puppet performance. She draws from

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: Jul 11, 2012

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