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The Metacultural Theater of Oh T'Ae-So. K: Five Plays from the Korean Avant-Garde (review)

The Metacultural Theater of Oh T'Ae-So. K: Five Plays from the Korean Avant-Garde (review) 292 Book Reviews THE METACULTURAL THEATER OF OH T’AE-SOK: FIVE PLAYS FROM THE KOREAN AVANT-GARDE. Translated by Ah-jeong Kim and R. B. Graves. Honolulu: University of Hawai‘i Press, 1999. 164 pp. + illus. Cloth $33.00; paper $14.95 This book is the first English anthology of plays by Oh T’ae-sok, Korea’s lead- ˘ ing playwright and most prominent director, who is also considered one of the most original theatre artists working in Asia today. The book includes five of Oh’s most frequently staged plays ranging from the 1970s to the 1990s: Bicycle (1983), Intimacy Between Father and Son (1992), Ch’un-p’ung’s Wife (1976), Lifecord (1974), and Why Did Shim Ch’˘ ong Plunge into the Sea Twice? (1991). In view of the dearth of resource materials available in English, this book provides a valuable addition to Korean theatre scholarship. Given the succinct and clear style of translation, achieved by the teamwork of a native Korean speaker, Ah-jeong Kim, and a native speaker of English, R. B. Graves, these translations can be used both as texts for world drama courses and as performance scripts for the stage. Full-page performance photographs of the five plays and a translator’s note help to promote understanding of http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

The Metacultural Theater of Oh T'Ae-So. K: Five Plays from the Korean Avant-Garde (review)

Asian Theatre Journal , Volume 17 (2) – Sep 1, 2001

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2000 The University of Hawai'i Press.
ISSN
1527-2109

Abstract

292 Book Reviews THE METACULTURAL THEATER OF OH T’AE-SOK: FIVE PLAYS FROM THE KOREAN AVANT-GARDE. Translated by Ah-jeong Kim and R. B. Graves. Honolulu: University of Hawai‘i Press, 1999. 164 pp. + illus. Cloth $33.00; paper $14.95 This book is the first English anthology of plays by Oh T’ae-sok, Korea’s lead- ˘ ing playwright and most prominent director, who is also considered one of the most original theatre artists working in Asia today. The book includes five of Oh’s most frequently staged plays ranging from the 1970s to the 1990s: Bicycle (1983), Intimacy Between Father and Son (1992), Ch’un-p’ung’s Wife (1976), Lifecord (1974), and Why Did Shim Ch’˘ ong Plunge into the Sea Twice? (1991). In view of the dearth of resource materials available in English, this book provides a valuable addition to Korean theatre scholarship. Given the succinct and clear style of translation, achieved by the teamwork of a native Korean speaker, Ah-jeong Kim, and a native speaker of English, R. B. Graves, these translations can be used both as texts for world drama courses and as performance scripts for the stage. Full-page performance photographs of the five plays and a translator’s note help to promote understanding of

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: Sep 1, 2001

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