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The Globalization of Clean Energy Technology: Lessons from China by Kelly Sims Gallagher (review)

The Globalization of Clean Energy Technology: Lessons from China by Kelly Sims Gallagher (review) China Review International: Vol. 21, No. 1, 2014 and his questioning of supposed links with the radicalism of the Cultural Revolution, or Li Ling's study of maternal love in the writings of Bing Xin. Mabel Lee's short article comparing the fugitive experiences of Lu Xun and Gao Xingjian and their respective stances on the place of the writer in society stands out. While Lee explores the political differences between Lu and Gao, and Gao Xingjian's rejection of the Nietzschean individual, she also makes perceptive connections of their use of religious metaphor: Lu Xun places himself as Christ on the cross in his poem "Revenge II," while Gao argues that writers are "not capable of shouldering Christ's mission" (p. 191). Another thought-provoking short article is Ylva Monschein's study of press freedom and the emergence of a new journalist-hero in the Chinese public sphere via two contemporary works of fiction (Xinwen jie and Ruyan@Sars.com) and a television serial. The editors have made much of the concept of "mediation" as a guiding theme for Talking Literature: between tradition and the recent past; between heterodox and orthodox traditions; the linguistic mediation of translation; the mediation of the West into China. For the http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png China Review International University of Hawai'I Press

The Globalization of Clean Energy Technology: Lessons from China by Kelly Sims Gallagher (review)

China Review International , Volume 21 (1) – Aug 3, 2016
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Publisher
University of Hawai'I Press
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Copyright © University of Hawai'i Press.
ISSN
1527-9367
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Abstract

China Review International: Vol. 21, No. 1, 2014 and his questioning of supposed links with the radicalism of the Cultural Revolution, or Li Ling's study of maternal love in the writings of Bing Xin. Mabel Lee's short article comparing the fugitive experiences of Lu Xun and Gao Xingjian and their respective stances on the place of the writer in society stands out. While Lee explores the political differences between Lu and Gao, and Gao Xingjian's rejection of the Nietzschean individual, she also makes perceptive connections of their use of religious metaphor: Lu Xun places himself as Christ on the cross in his poem "Revenge II," while Gao argues that writers are "not capable of shouldering Christ's mission" (p. 191). Another thought-provoking short article is Ylva Monschein's study of press freedom and the emergence of a new journalist-hero in the Chinese public sphere via two contemporary works of fiction (Xinwen jie and Ruyan@Sars.com) and a television serial. The editors have made much of the concept of "mediation" as a guiding theme for Talking Literature: between tradition and the recent past; between heterodox and orthodox traditions; the linguistic mediation of translation; the mediation of the West into China. For the

Journal

China Review International – University of Hawai'I Press

Published: Aug 3, 2016

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