Suzuki Tadashi’s La Dame aux Camélias in Taiwan
Tuan, Iris Hsin-chun.
2014-04-14 00:00:00
Abstract: Postmodern pastiche and hybridity informed the performance La Dame aux Camélias (Taipei, 2011) directed by Tadashi Suzuki (1939–). Suzuki’s production conceived for Taiwan had visual theatrical innovation and contemporary setting, yet the music design could lead to cultural misunderstandings.
http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.pngAsian Theatre JournalUniversity of Hawai'I Presshttp://www.deepdyve.com/lp/university-of-hawai-i-press/suzuki-tadashi-s-la-dame-aux-cam-lias-in-taiwan-fFBnBKlgtb
Abstract: Postmodern pastiche and hybridity informed the performance La Dame aux Camélias (Taipei, 2011) directed by Tadashi Suzuki (1939–). Suzuki’s production conceived for Taiwan had visual theatrical innovation and contemporary setting, yet the music design could lead to cultural misunderstandings.
Journal
Asian Theatre Journal
– University of Hawai'I Press
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