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Suzuki Tadashi’s La Dame aux Camélias in Taiwan

Suzuki Tadashi’s La Dame aux Camélias in Taiwan Abstract: Postmodern pastiche and hybridity informed the performance La Dame aux Camélias (Taipei, 2011) directed by Tadashi Suzuki (1939–). Suzuki’s production conceived for Taiwan had visual theatrical innovation and contemporary setting, yet the music design could lead to cultural misunderstandings. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Suzuki Tadashi’s La Dame aux Camélias in Taiwan

Asian Theatre Journal , Volume 31 (1) – Apr 14, 2014

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 The University of Hawai'i Press.
ISSN
1527-2109
Publisher site
See Article on Publisher Site

Abstract

Abstract: Postmodern pastiche and hybridity informed the performance La Dame aux Camélias (Taipei, 2011) directed by Tadashi Suzuki (1939–). Suzuki’s production conceived for Taiwan had visual theatrical innovation and contemporary setting, yet the music design could lead to cultural misunderstandings.

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: Apr 14, 2014

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