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Staging Tourism: Bodies on Display from Waikiki to Sea World (review)

Staging Tourism: Bodies on Display from Waikiki to Sea World (review) book and media rev iews 505 Some readers will be inconvenienced tions from early publications that are by the lack of a glossary of Polynesian hard to access except in libraries with n a m es ofg e n res and in s t ru m e n t s, s o m e special collections devoted to Pacific disappointed that there is no chapter Islands materials, and the Garland on Rotuma, and some misled by the volume more information on contem - title — a literal translation of the porary contexts; McLean offering the Hawaiian haku mele ( composer[s])— consistency in approach of a single though the book’s focus is on music author, and Garland a variety of and dance as products rather than on perspectives from more than thirty composers or the processes of music- contributors, including some who making. are insiders-to- the- culture they write Nevertheless, Weavers of Song — about. Reading both provides a more the first large-scale book written comprehensive view than either alone, specifically and exclusively about the and a far more comprehensive view music and dance of Polynesia as a than that available in the past. whole, and listed by Choice as http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Contemporary Pacific University of Hawai'I Press

Staging Tourism: Bodies on Display from Waikiki to Sea World (review)

The Contemporary Pacific , Volume 14 (2) – Jul 1, 2002

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2002 University of Hawai'i Press.
ISSN
1527-9464

Abstract

book and media rev iews 505 Some readers will be inconvenienced tions from early publications that are by the lack of a glossary of Polynesian hard to access except in libraries with n a m es ofg e n res and in s t ru m e n t s, s o m e special collections devoted to Pacific disappointed that there is no chapter Islands materials, and the Garland on Rotuma, and some misled by the volume more information on contem - title — a literal translation of the porary contexts; McLean offering the Hawaiian haku mele ( composer[s])— consistency in approach of a single though the book’s focus is on music author, and Garland a variety of and dance as products rather than on perspectives from more than thirty composers or the processes of music- contributors, including some who making. are insiders-to- the- culture they write Nevertheless, Weavers of Song — about. Reading both provides a more the first large-scale book written comprehensive view than either alone, specifically and exclusively about the and a far more comprehensive view music and dance of Polynesia as a than that available in the past. whole, and listed by Choice as

Journal

The Contemporary PacificUniversity of Hawai'I Press

Published: Jul 1, 2002

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