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Revitalizing Arja in Globalized Bali

Revitalizing Arja in Globalized Bali <p class="summaryheading"><span class="summaryheading">The author has produced three new arja:</span></p><p><i>Meeting in Tampaksiring (Katemu Ring Tampaksiring,</i> 2004 <i>), King Adhipusengara (Prabu Adhipusengara,</i> 2006<i>),</i> and <i>Rape of Sukreni (Sukreni Gadis Bali</i>, 2008<i>).</i> While keeping the essential elements of <i>arja</i> intact, each production shows significant aesthetic changes and theatrical innovations, intended to prevent <i>arja</i> from disappearing in globalized Bali. </p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Revitalizing Arja in Globalized Bali

Asian Theatre Journal , Volume 29 (2) – Feb 14, 2013

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2008 The University of Hawai'i Press.
ISSN
1527-2109

Abstract

<p class="summaryheading"><span class="summaryheading">The author has produced three new arja:</span></p><p><i>Meeting in Tampaksiring (Katemu Ring Tampaksiring,</i> 2004 <i>), King Adhipusengara (Prabu Adhipusengara,</i> 2006<i>),</i> and <i>Rape of Sukreni (Sukreni Gadis Bali</i>, 2008<i>).</i> While keeping the essential elements of <i>arja</i> intact, each production shows significant aesthetic changes and theatrical innovations, intended to prevent <i>arja</i> from disappearing in globalized Bali. </p>

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: Feb 14, 2013

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