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Re-envisioning the Chinese Cityscape: Tabula Rasa and Palimpsest

Re-envisioning the Chinese Cityscape: Tabula Rasa and Palimpsest Princeton University Chang-tai Hung. Mao's New World: Political Culture in the People's Republic. Ithaca, NY: Cornell University Press, 2011. 352 pp. Yomi Braester. Painting the City Red: Chinese Cinema and the Urban Contract. Durham, NC: Duke University Press, 2010. 405 pp. In 1958, Mao Zedong famously compared China's 600 million people to a "blank sheet of paper free from any mark," on which "the most beautiful words can be written" and the "most beautiful pictures can be painted."1 In his view, China's vast landscapes and its people's mindscapes were a tabula rasa awaiting transformation through his utopian blueprints. Since the Chinese Communist Party (CCP) shifted its center of gravity from rural to urban areas in the late 1940s, however, China's major cities have received the greatest makeovers, in both physical and visual terms. The two books under review in this essay present interdisciplinary inquiries into urban space and visual media in the People's Republic of China (PRC), with a shared focus on Beijing. In Mao's New World, Chang-tai Hung examines the forging of a brand new political culture and national identity in the 1950s, when the CCP remade the old capital as a tabula rasa to lay down http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Cross-Currents: East Asian History and Culture Review University of Hawai'I Press

Re-envisioning the Chinese Cityscape: Tabula Rasa and Palimpsest

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Publisher
University of Hawai'I Press
Copyright
Copyright © Research Institute of Korean Studies, Korea University
ISSN
2158-9674
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Abstract

Princeton University Chang-tai Hung. Mao's New World: Political Culture in the People's Republic. Ithaca, NY: Cornell University Press, 2011. 352 pp. Yomi Braester. Painting the City Red: Chinese Cinema and the Urban Contract. Durham, NC: Duke University Press, 2010. 405 pp. In 1958, Mao Zedong famously compared China's 600 million people to a "blank sheet of paper free from any mark," on which "the most beautiful words can be written" and the "most beautiful pictures can be painted."1 In his view, China's vast landscapes and its people's mindscapes were a tabula rasa awaiting transformation through his utopian blueprints. Since the Chinese Communist Party (CCP) shifted its center of gravity from rural to urban areas in the late 1940s, however, China's major cities have received the greatest makeovers, in both physical and visual terms. The two books under review in this essay present interdisciplinary inquiries into urban space and visual media in the People's Republic of China (PRC), with a shared focus on Beijing. In Mao's New World, Chang-tai Hung examines the forging of a brand new political culture and national identity in the 1950s, when the CCP remade the old capital as a tabula rasa to lay down

Journal

Cross-Currents: East Asian History and Culture ReviewUniversity of Hawai'I Press

Published: May 22, 2013

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