Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
The year 1998 marked the four hundredth anniversary of Tang Xianzu'sa Peony Pavilion. By 1999 three major productions of the play had appeared in Europe, North America, Australia, and Asia. Chinese literature scholar Judith T. Zeitlin is one of the few who saw all three productions. In this article she examines them in terms of their relationship to Tang's original text and to the modern kunqud performance tradition.
Asian Theatre Journal – University of Hawai'I Press
Published: Mar 1, 2002
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.