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Monomane, Yugen, and Gender in Izutsu and Sotoba Komachi

Monomane, Yugen, and Gender in Izutsu and Sotoba Komachi This essay cites instances of transgender performance in twono plays and analyzes how they deal with issues of gender. Drawing on Judith Butler's gender theory, it attempts to understand the status of gender in these plays within Zeami's aesthetic hierarchy. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Asian Theatre Journal University of Hawai'I Press

Monomane, Yugen, and Gender in Izutsu and Sotoba Komachi

Asian Theatre Journal , Volume 20 (2) – Jul 24, 2003

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Publisher
University of Hawai'I Press
Copyright
Copyright © 2003 The University of Hawai'i Press.
ISSN
1527-2109
Publisher site
See Article on Publisher Site

Abstract

This essay cites instances of transgender performance in twono plays and analyzes how they deal with issues of gender. Drawing on Judith Butler's gender theory, it attempts to understand the status of gender in these plays within Zeami's aesthetic hierarchy.

Journal

Asian Theatre JournalUniversity of Hawai'I Press

Published: Jul 24, 2003

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