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Lovers, Filmmakers, and Nazis: Fritz Lang's Last Two Movies as Autobiography

Lovers, Filmmakers, and Nazis: Fritz Lang's Last Two Movies as Autobiography <p>Fritz Lang&apos;s last two movies are autobiographies of a peculiar kind. He remakes two early films, transforming them into allegorical representations of the intense romantic and political triangle which shaped his early career&#x2014;the triangle connecting the director Lang, the screenwriter Thea Von Harbou (who was also his wife), and the Nazi Party.</p> http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Biography University of Hawai'I Press

Lovers, Filmmakers, and Nazis: Fritz Lang&apos;s Last Two Movies as Autobiography

Tratner, Michael.
Biography , Volume 29 (1) – Jun 28, 2006
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Publisher
University of Hawai'I Press
Copyright
Copyright © 2006 Biographical Research Center.
ISSN
0162-4962
eISSN
1529-1456

Abstract

<p>Fritz Lang&apos;s last two movies are autobiographies of a peculiar kind. He remakes two early films, transforming them into allegorical representations of the intense romantic and political triangle which shaped his early career&#x2014;the triangle connecting the director Lang, the screenwriter Thea Von Harbou (who was also his wife), and the Nazi Party.</p>

Journal

Biography – University of Hawai'I Press

Published: Jun 28, 2006

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